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Brazil, Canada
Drama, Comedy, Animation
IMDB rating:
Pedro Morelli
Michael Caruana as Married Man
Julian DeZotti as Drunk #2
Amanda Barker as Married Woman
Mariana Ximenes as Michelle
J. Adam Brown as Kyle the Photographer
Jennifer Irwin as Marissa
Albert Chung as Love Doll Worker
Don McKellar as Horowitz
Michael Eklund as Moustache Guy
Clé Bennett as Carl
Alison Pill as Emma
Storyline: A multi-dimensional interface between a comic book artist, a novelist, and a film director. Each lives in a separate reality but authors a story about one of the others.
Type Resolution File Size Codec Bitrate Format
1080p 1904x800 px 3295 Mb h264 4941 Kbps mkv Download
HQ DVD-rip 720x304 px 1416 Mb mpeg4 2123 Kbps avi Download
Novel idea, not used effectively
Emma works at a sex doll factory and in her spare time is writing/drawing a comic book. Edward is a famous movie director, working on his latest movie. Michelle is a model and is writing a novel. The three are connected: Edward and his world are found in the pages of Emma's comic book, Michelle's story is Edward's movie and Emma's story is Michelle's book.

Had heaps of potential. Very novel idea - the story-within-a-story- within-the-first-story - very Christopher Nolan-esque.

However, even from the beginning the movie doesn't really live up to its potential. Only the Emma story was engaging. Edward's story is mildly interesting but not exactly compelling viewing. Michelle's story was pretty dull.

Moreover, when the three stories are tied together it is in chaotic, random fashion. The last few scenes feel clumsy and contrived, and the connection between the three stories is ultimately not used effectively. This largely leaves you with three separate, independent stories. So the novelty is wasted.

Overall, not a total waste of time, but quite disappointing considering the movie's potential.
Unique, but highly disappointing
The main idea is great: a story telling a story which is telling the first story. But the stories are crap when you look at them one at a time; one is about sex and boobs, the second about sex and a penis, and the third has the least sex, but the most convoluted plot (which actually makes sense in context).

The acting, cinematography, and the art style of the drawn sections were good, but not enough to overcome the fact it feels like a porno trying to disguise itself as art. I kept watching hoping for improvement; I should have watched something else entirely.

I recommend Stranger Than Fiction (2006) or The NeverEnding Story (1984).

Inkheart (2008) and Pixels (2015) are more rewatchable than Zoom.
Imagination at 100 mph
Good film. Not for everybody but I found it refreshing and quite masterly conducted. It should appeal to all Zeta GENERATION MEMBERS.

To conduct three parallel developments is a plus

and I recommend the film to everyone. Jean-Pierre DE Villers, U of Windsor. Go see it JPdV
Not zany enough
Zoom in some ways is a graphic novel come to live although segments of the story is in cartoon form.

It is a multi layered story with an absurd look at sex. The opening scene is the story of Emma who works in a factory painting sex dolls and has sex with co-worker and boyfriend at lunch. Emma wants a cosmetic procedure to have bigger breasts. When she has them they turn out to be too big she gets attention for all the wrong reasons.

Too make her boobs normal will cost her money which she does not have, she and her boyfriend get involve in a scheme that involves transporting stolen drugs inside one of the sex dolls.

Emma is also a comic book artist and she has created a story of a bombastic action film director, Edward who is about to hit the big time with a big budget film and he is a babe magnet to boot. This part of the story is animated . However Edward has confidence issues when in anger Emma reduces the size of his manhood. Now his first cut of the movie is too arty, he upsets the female film executive and his dinky is too little to satisfy women. Edward is ordered to go to Brazil to shoot the climax of his movie.

The movie is that of a Brazilian model, Michelle with aspirations of being a novelist. Her boyfriend tells her that people only say good things about her writing as they fancy her. When her publisher is impressed with her writing she goes off to Brazil for inspiration.

Eventually all three strands come together in a circular fashion as the characters realise that they are all influencing each other.

The ending is chaotic and contrived. The film is off beat but also messy and the characters are too one dimensional.
Great start, and then it sort of drifts downhill...
As a "prolific" reviewer, I have found over the years that many IMDb members do not use these reviews to check out a film before watching, they prefer to see the film first and then up-rate the reviews that "agree" with their Pov, and down-rate those that don't. So, as a courtesy to those who have not seen this film, I suggest that rabid fans of this production who have already seen it, and are looking for validation, just stop right here.

That said, I didn't just like the first half-hour of this film, I loved it. Any movie that begins with the massively-talented and criminally under-utilized Alison Pill is automatically ahead on points. (She can do things with her eyes and glasses that many actresses cannot even do with dialog.) The fact that the setting for the opening scenes is a shop that makes sex dolls also was an interesting hook. I have seen a lot of movies -- arguably, too many -- but had never seen that trope before. Clever! As the story progresses, and Pill's character -- who makes sex dolls are a living -- is driven by a co-worker's callous comment to seek bigger breasts, well, again, clever and interesting and quirky as Hell.

So far, so good.

However, after a great beginning, the script takes a sharp segue into that whole "life imitating art imitating life" thing and, to be frank, which is the reviewer's job, none of that added to the power of the film, it only detracted.

To some extent, this reminded me of the classic 1976 Allegro Non Troppo (recommended if you can find a copy!!) where once again the story tries to define the thin line between reality and non-reality.

However in Allegro, there was a constant upbeat sense of joy and wonder to the film, which gave it power. In Zoom, all the cross-arcs -- the egoistical film director, the supermodel who simply wants to be respected as a writer -- actually remove power from the impact of the production.

By the end of the story, when Pill's character suddenly finds herself in the middle of a "drug deal gone bad," I had to conclude this was a classic example of a good film which -- HAD THE SCRIPT SEEN ANOTHER FEW REWRITES -- could have been really great.
I Loved It.
Alison Pil is a hoot.

Very creative. Mixing animation with real life and a movie. Took me a minute to wrap my head around it but then I was off on such a wonderful ride.

The narrative moves forward quickly but you won't get lost. The music is delightful and energetic, and the doll factory is amazing.

The special order guy from Buffalo is definitely creepy, but you'll love him, and you'll really love how changing one story makes changes in the other two at the same time.

Definitely an unusual piece of movie making and well worth your time.
A completely unique trip
Spoiler-light. An artist draws a comic book about a film director; the director makes a movie about a novelist; the novelist writes a book about the artist. The movie shifts back and forth between the three stories, with none of the characters aware that they're directly affecting someone else's life. The artist (Alison Pill) works in a factory assembling sex dolls, which only strengthens her desire to have larger breasts. The director (Gael García Bernal) finds himself at odds with producers... and his own body. The novelist (Mariana Ximenes) dumps her boyfriend and gives up her modeling career to pursue her dream of writing.

If you can wrap your brain around the strange narrative (and don't mind the sight of bare breasts, which the actual director seemed rather preoccupied with), this movie's thoroughly entertaining. Without question, the standout segment is the artist's, which kicks off the film and forms the backbone. The movie hangs firmly on Allison Pill's shoulders, and she exudes a lovable charm which engages you as her situation goes from kind of odd to downright bizarre. The director's segment ranks a distant second, but the entire thing is rotoscoped (filmed and then animated) which gives it a surreal beauty. The weakest link is the novelist's portion, though it certainly isn't the fault of any of the actors - the problem is that this third vignette is entirely devoid of the overt humor which pervades the other two stories.

It's sort of a shame that there IS a weak link here, because this film is completely unique and has so much going for it. It's not perfect but it's one of those movies where it feels like everyone involved was pouring their heart into it, so the result is kinda magical. The performances are excellent across the board, the animation has a wonderful hand-drawn feel to it, the cinematography is exquisite, the music perfectly accompanies the visuals, it's well-paced and feels like a much bigger-budget film than it actually is. And then there's that ending. I literally had a big, dumb grin on my face all throughout the climax... though I recognize that what so greatly amused me could easily be off-putting to others.

The bottom line is that if you're the type who prefers offbeat indies to cookie-cutter Hollywood crapfests, there's a good chance that you'll love Zoom.
Long time I haven't saw such a good film
At the beginning I thought it will be some common B class film. Acting looked not so good (but soon it become clear it was on purpose), decorations also not so great. But it turned out, it is a great film.

It is shown various kind of personalities. There are shy girl, geeky co-worker, creepy buyer, charming self respecting film creator and so on. Full pallet of colorful personalities.

Soon actions starts jumping from reality to imagination. And later it becomes unclear, what is reality. It turns out, there is closed circle - imagination becomes others persons reality.

In short, in is nicely done dementia type film. I very recommend to watch it.
Mr. Morelli's Wild Ride
You'd have to be crazy to like this movie.

I loved it.

Zoom has an original plot, great acting, and was just confusing enough to keep me guessing.

The international story line helped shine a light on the meme of Hollywood's usual containment of creativity. Art for the sake of art becomes representative of the interwoven lives of us all.

It would be easy to write this off as another experimental film but I predict it will become an iconic piece studied and used as a barometer for creative license.

Finally, it was just simple fun.

Highly recommended
Very weird... But in a good way.
Really hard movie to describe, it's definitely a art-house project but a entertaining one that never feels to pretentious for it's own good despite it's multilayered and multidimensional bizarreness and existentialistic nature.

Despite having a somewhat serious message it has a high dosage of comedy and moves on at a refreshingly fast pace as well (these sort of experimental movies usually doesn't).

With some entertaining performances from the likes of Alison Pill, Tyler Labine, Michael Eklund, Jason Priestley and and albeit I didn't recognize him: Gael Garcia Bernal (as the animated Eddie).

Pill and Labine's characters work at a sex-doll facory specialising on the most realistic looking dolls in the business and there are a lot of sex references which might be a little too much for some people but I found it all fairly fun.

Overall if you are looking for something different than this will definitely do the trick.
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