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To Kill a Mockingbird
Year:
1962
Country:
USA
Genre:
Crime, Drama, Mystery
IMDB rating:
8.4
Director:
Robert Mulligan
Gregory Peck as Atticus Finch
John Megna as Charles Baker 'Dill' Harris
Frank Overton as Sheriff Heck Tate
Rosemary Murphy as Maudie Atkinson
Ruth White as Mrs. Dubose
Brock Peters as Tom Robinson
Estelle Evans as Calpurnia
Paul Fix as Judge Taylor
Collin Wilcox Paxton as Mayella Violet Ewell
James Anderson as Robert E. Lee 'Bob' Ewell
Alice Ghostley as Aunt Stephanie Crawford
Robert Duvall as Arthur 'Boo' Radley
William Windom as Mr. Gilmer, Prosecutor
Crahan Denton as Walter Cunningham Sr.
Storyline: Based on Harper Lee's Pulitzer Prize winning book of 1961. Atticus Finch is a lawyer in a racially divided Alabama town in the 1930s. He agrees to defend a young black man who is accused of raping a white woman. Many of the townspeople try to get Atticus to pull out of the trial, but he decides to go ahead. How will the trial turn out - and will it change any of the racial tension in the town ?
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Reviews
Great Movie
I loved this movie! Often times people say that the movies never compare to the book its base off of but I thought that this movie was great! I thought that the acting was great, and perhaps the best acting done by kids ever and the picture in a physical sense was so clear. I really enjoyed the scene when Scout, Jem and Dale sneak over to Boo Radleys in the beginning of the movie and as they are running away Jem gets his overalls hook on the wire and has to leave them behind and run back in his underwear! I also thought the music throughout the film was great and fit very well with each scene. Gregory Peck was definitely the right choice for playing Atticus Finch, his calm and caring demeanor contributed to sympathizing with Tom Robinson in the court room scene and throughout the movie.
2016-12-06
Essential.
Undoubtedly a classic hallmark in cinema, To Kill a Mockingbird dealt with social issues when social issues were still very much an issue in society, much more so than today although some of the same basic feelings are still present. Being younger than the film itself, I can only imagine the impact it had on people when it first came out. And seeing how the film has not been forgotten after the decades since it's release, I think it's safe to say that it had quite an effect as it continues to do so. Having read the book in high school, the film seems fairly accurate to the story except for a few very minor things that are mostly the result of a book being condensed into a much shorter journey.

Gregory Peck is perfect in his role as Atticus Finch and apparently I'm not alone in that opinion as he won an Oscar for the role. All three children in the movie are also quite impressive and entirely convincing. I particularly enjoyed seeing Robert Duvall in his first film appearance as the ambiguous Boo Radley.

It's very difficult to give reviews for older films, particularly ones that were made prior to my existence, mostly due to the inevitable fact that like everything else films also age, sometimes weakening the original potency. But to be honest, the only thing that I can see that has noticeably aged is the music, which is entirely understandable and is to be expected. And given the fact that it's over four decades old, that is quite a statement. It all boils down to a very important film about a very important and popular book in which social issues were dealt with and still holds relevance today. Like many classics, it's not just a movie, but a film with a message. A heart warming classic and an essential notch in the belt of film history.
2004-06-21
This bird don't sing
This much-praised movie is about a lawyer and his children living in a racially divisive South in the 1930s. Although the central theme concerns the lawyer defending a black man accused of raping a white woman, much of the film is devoted to the exploits of the children as they play games and make trouble. Therein lies the problem. Watching the children at play is only mildly interesting. The focus shifts to the rape trial for a while and then its back to the children and a weird neighbor (Duvall), who seems to be from another movie. The film is poorly constructed, lacking focus. Peck is good as Finch, who is portrayed as a decent fellow but certainly not the greatest hero in American cinema as AFI would have us believe. Considering its reputation, a very disappointing film.
2006-05-12
Hate to use the cliché - not as good as the book.
Hate to use the cliché - not as good as the book. What's the right way to criticize a classic such as this? Well, to dull the critique lets get done with the obvious - Peck is impeccable as Atticus Finch, who is perhaps the nicest nice guy in American fiction. Where the movie disappoints (in comparison with the book) is in generous omissions, some areas of over-emphasis, and some downright erroneous messaging.

Omissions: The entire Ms.Dubose episode is omitted. That part brought out Finch's sense of fairness and Jem's growing up. The conflicts within Finch's family on his taking up the Robinson case are down away with. Jem, Scout and Dill really do not have that much to do in the movie as they do in the book. Calpurina has nothing to do in the movie (the church portion isn't part of the movie's script) whereas in the book, her influence on the children is substantial.

Over-emphasis: The courtroom scene dominates. The movie rushes to the trial, stays there for a while, and removes much of the subtlety the book had in this portion in favor of drama.

Lost messaging: Per the movie, only the Ewell's are downright racist, the mob that tries to lynch Tom Robinson is incidentally racist, and the rest of the town is ambivalent. The book brought out how lonely Finch was in his stand. Also, beyond racism, Finch's morality and humanism doesn't quite come out. About 3-4 lines in the book that really brought out everything about him are sacrilegiously omitted in the movie - the part where he says the one thing that does not abide by majority opinion is a person's conscience. The scene between him and Scout is there, but those words, those golden words are not.

Worth a one time watch but if you love the book, you will be disappointed. Fair warning.
2017-11-14
...you never really understand a person until you consider things from his point of view..."
TO KILL A MOCKINGBIRD is a crime drama about family love, racial intolerance, ignorance, playfulness and acceptance in the difficult times after the Great Depression. Film is based on Harper Lee's 1960 novel of the same name.

The two young protagonists are brother and sister, who lives in a fictional town in Alabama. The story covers three years, during which, they undergo changes in their lives. They begin as innocent children, who spend their days happily playing games while imagining a subject of their lush imagination. The children's widowed father is a town lawyer and has strong beliefs that all people are to be treated fairly. However, the racism and evil in their city are exacerbated by poverty. The children's need to grow up very quickly. A local judge appoints their father to defend a black man, against an accusation of rape of a poor white girl. Their father accepts the case, that will stir up passions in the entire city. The children's will finally meet their Mockingbird...

This emotional story is full of innocence, positive energy and charm. The young protagonists are like drifters on the street, which are trying to play relentlessly in a very dangerous world. An excellent cinematography takes us into a mystical world of the American South. Everything is very close, and yet, everything is so far in that world. This is not a strong human or courtroom drama. The magic is present in those little moments that change our everyday lives. That magic is visible through the voice of a young girl, the smell of ripe melons, laziness of the summer heat, wind that sways a swing on a porch and a friendly face in the night. Mr. Mulligan has added these segments in a line with the social crisis in a community. A man, as an individual, is completely helpless in this melodrama.

Plots are constantly alternating, so we can think that their social whirl does not have its place. The consciousness about good and evil is a part of a harsh knowledge in the eyes of two young children. Mr. Mulligan has balanced this story between children's fetches and serious themes. The essence is in the relationship between a father and his children. This story did not show, in a credible way, trouble with growing up, first encounters with evil people and situations in a society that is far from an ideal. But those are minor shortcomings in it.

Characterization is excellent.

Gregory Peck as Atticus Finch is the embodiment of a tolerance, compassion, understanding and courage. Mr. Peck has offered a convincing performance. John Megna (Charles Baker "Dill" Harris), Mary Badham (Jean Louise "Scout" Finch) and Phillip Alford (Jeremy Atticus "Jem" Finch) were excellent, along with the fact that little Mary has definitely stole the show as a curious girl.

Brock Peters as Tom Robinson was impressive in a small, but very significant role. He is like an injured beast, which is aware of the fact that no one will be able to save her. Robert Duvall as Arthur "Boo" Radley is an invisible monster and fallen angel at the same time. His character has contributed to the strong finale of this film.

Everyone has, given the time and place, met a Mockingbird.
2017-05-13
Great watch for all even if it is old.
I can't help but wonder what Atticus Finch would be like in today's world and what sort of thing he would stand up against. He might be impressed with how far racism has come since the '30's, but I'm sure there is some other injustice that would similarly upset him. Certainly he would have a thing or two to say about this generation of parenting. I think he would probably not be into a lot of the group rallies and such that go on today, but rather would just try to change people's hearts doing what he does best just as he does in his own setting.

Showing the story through the mostly innocent view of Scout and Jem is great for us as an audience. It forces us to look at the injustices shown in innocent and mostly unprejudiced eyes. Jem and Scout are introduced to some of the evils of the world through Atticus' court case, but are still able to help him do his job in their own way. Much of the original story is cut, but I thought the screenwriters did a good job choosing what was most important to show. Tom Robinson's court case and the children's investigation of Boo Radley are the only two plot threads that are fully maintained. The subplots involving various town events and some affairs within the Finch's extended family are chopped. The court hearing is also moved to a later and more dramatic position than in the book, which I wouldn't dispute.

Jem and Scout do not take any major actions that move the story, but feel like active characters in their learning the ways of the world and the way people are prone to act. They seem to be good kids, though not always obedient or wise. Still, they seem to respect and understand the reasons behind Atticus discipline of them, which reflects well on both parties. Atticus is almost too good to be true as a person, but I could believe that someone in his position could be as upright a person as he is. I think his saying that he couldn't live with himself if he didn't defend Tom Robinson is proof of his moral fallibility. Most of the other characters, while prominent, are not worth talking about apart from the Ewell's. They are a prototype of white trash that cheat the system and don't contribute to society while taking from those who do. The unseen villains however are the socially pressured members of the jury that condemn Tom Robinson to his death.

The three kids did a much better job acting than is usual of child actors. They felt like actual kids and didn't give the impression that they were just being cute for the adult audience members. Gregory Peck also gives a great performance. The Ewell's actors are a little hard to judge since the characters are putting on appearances themselves. I suppose the actors found a sweet spot of believable deceptiveness. Heck Tate, Calpurnia, Maudie Atkinson, and Tom Robinson's actors all give decent showings. Robert Duvall doesn't exactly perform as Boo Radley, but he looked perfect for the character even though I had imagined Boo Radley much differently. The camera work seemed pretty good even though some of it felt a little bit cheesy. The script was adapted quite well and kept the pace up and never lets you feel bored.

I would recommend this to almost everyone, though it's not the pinnacle of entertainment. It does make you a more conscious person and calls you to consider what prejudices you might have clouding your judgment. If you don't like old movies or material that seems "boring", I can understand where you're coming from, but would still encourage you to see this through as a form of self-improvement. Overall Rating: 8.2/10.
2016-02-14
My Father, This Hero...
I wasn't yet the movie fan I am today but the first time I saw the American Film Institute's Top 100 heroes and villains, I could recognize almost every name, I expected a few exceptions but certainly not the number one hero: Atticus Finch, played by Gregory Peck, in the adaptation of Harper Lee's Pulitzer-winning "To Kill a Mockingbird". Seriously, who was that dork who had the nerve to be a worthier of the first spot than Indiana Jones or James Bond and that I even didn't know?

And "To Kill a Mockingbird" kept popping up in every AFI list and even on IMDb Top 250, so it was an emergency case in my watch-list of fresh new movie fan. So, I saw the film and could see what was so heroic about this noble-hearted white knight of the South, who dared to question racism at a time where it was common banality. And he was played by the noblest of all actors: Gregory Peck. I often criticized his acting as wooden but perhaps this is the one instance where it did fit the character and his Oscar wasn't stolen although O'Toole as Lawrence of Arabia, Lemmon in "Days of Wine and Roses" and Lancaster as "Birdman of Alcatraz" had more complex personalities to play with.

But there was something crowd-pleasing in the story of Atticus Finch, something that exceeded the expectations of cinema and satisfied the Hollywood conscience, it was still a time of relative innocence where the problem of racism could only be displayed through a white people centered story. Not that it's a bad thing but I wish the film had kept its original tone, as a story seen from the perspective of a growing precocious tomboy named Scout (Mary Badham), whose perception of her lawyer of a father and of the world of adults is influenced by one of the cases he must handle. "To Kill a Mockingbird" is a childhood story, inspired from Lee's memories the tired Southern town of Maycomb, but the film carries a child-like innocence that doesn't fit the case.

Scout is a girl spending time jumping, climbing hills and trees with her brother Jem and their friend Dill, inspired by her childhood friend Truman Capote, and she sees her widowed father as a super-figure who has an answer for every question. And it seems that the film has somewhat embraced this creed and made Atticus Finch the hero of this picture, which is puzzling because he's not the focus for the whole first act. But we're supposed to embrace his nobility and optimism because it is obvious the case he must defend is a sham, and it doesn't even take courage but common sense. It's not much Atticus who's noble but the other people who are downright bigots and hateful. It's an insult to intelligence that Robinson is declared guilty despite Finch' invitation for humanism and empathy, but the real heroism would have been to convert them. But Finch's aura is one of a preacher, powerful, symbolic but eventually, useless.

I actually enjoyed the film and it's never as good as when it plunges you in the universe of children, their interpretation of spooky local stories, Scout is like a little sponge trying to understand and appreciate the world as it comes to her eyes, learning from her father, the meaning of words like 'empathy', and the subplot also involves the identity of Boo Radley, which highlights one of these aspects of childhood when you tend to believe the adults, until you realize that they're somewhat corrupted and unworthy of trust. But when Atticus learns the news about the death of Robinson, I couldn't believe he believed he tried to escape. That the film doesn't even exploit the event and makes it look as it really happened that way, that the Black people would just be a sort of passive observers with no capability for action and when the town drunk, evil Ewell, spits on Finch' face, he doesn't flinch, I thought the whole sanctification of Finch was overplayed. A preacher, he might be, but a saint, he wasn't. Maybe in the eyes of her daughter, but at that point, the film was told from the adult perspective, not only it didn't work, but it didn't even fit the character.

Finch was genuinely furious during his trial statement, he expected to save his client but he was shot dead in what seems to be obvious lynching, instead of prosecuting the case and serving the cause to the fullest, he accepts the outcome and when he's confronted to Ewell, he takes the spit like Jesus would take a slap. Robsinson was dead at that time, was Finch so perfect that he couldn't even give the guy the punch he deserved, what was to lose anyway? Couldn't one of the black guys do it? No, it had to be the hand of God through the providential Boo Radley (a youngish Robert Duvall) to punish the bad guy as to mystify the whole thing again, and creates some deep symbolism between a sordid case of rape and the local village idiot. An unpunished crime to avenge the first, too much religious symbolism for what should have been a tale from a child's eye.

In the movie "Capote", when commenting about the success of the book, Capote says "I don't know what the fuss is all about". Speaking for myself, I can understand why the film is such a celebrated classic, but it doesn't hold up very well in today's context while the masterpiece from Capote "In Cold Blood" says as much as human nature and vileness as the book and is still relevant today. "To Kill a Mockingbird" is a classic, no doubt about that, but not all classics are supposed to be perfect. Maybe I will find in the book, these missing elements of 'perfections', though I trust Capote's opinion on it.
2017-05-30
updated version
love to see a new update on this movie. great story great book just need the technology of today and would love to see it in color. people still have this book in schools. at the time of filming i guess this was good but to watch this in a new modern age it is disappointing. only a selected audience would enjoy it. meaning not my generation. this is not something for a movie night or a fun night with family. it is only a movie to watch if you have interest in culture art or books. also if you read the book you would know that you never watch the movie. however if you love classic movies then it is a ten and go watch it. if your an modern person then don't even think of watching it
2014-11-06
great
a real great film. as inspired adaptation. for the beautiful acting. for difficulty to imagine another cast. for the message. and, sure, for Gregory Peck who becomes, scene by scene, the only possibility Atticus Finch. it has the rare gift to convince the readers of book - the emotion remains the same front of lines and adapted scenes - and the public who do not know the book. and, after more than half of century, it remains fresh. the small details out of novel, the presence of Robert Duvall, Mary Badham and Phillip Alford - both fantastic as Scoud and Jem- are few pillars who transforms To Kill a Mockingbird in a revelation at each new meeting. a film about need to be honest to yourself. with the air of the South, with characters who becomes familiar, with the mixture of mystery and ethics. and with the admirable spirit of Harper Lee.
2016-05-23
Classic overrated but good
I liked the film, it is very good but I think that this fail in very aspects and is overrated. I loved all of the performance, but I like in special the performance of Atticus, because I think that in it we can see the real (and deeper) meaning of the film. His performance is the best of the film. Also the story is very good but if we consider that this is based in a book and in a real history, the film was not necessary. In my opinion the film fails with the bad guy, Bob Ewell. The actor makes an excellent job but the character is too spiteful, he won the judgment and spits Atticus, so why he want kill the childs? I don't understand! Despite this, the film is good, the children's make an great and moving work, and Tom Robinson will always be for all innocent. Much to learn from this film...
2016-02-04
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