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The Usual Suspects
Year:
1995
Country:
USA, Germany
Genre:
Crime, Thriller, Mystery
IMDB rating:
8.6
Director:
Bryan Singer
Stephen Baldwin as Michael McManus
Gabriel Byrne as Dean Keaton
Benicio Del Toro as Fred Fenster
Kevin Pollak as Todd Hockney
Kevin Spacey as Roger 'Verbal' Kint
Chazz Palminteri as Dave Kujan, US Customs
Pete Postlethwaite as Kobayashi
Giancarlo Esposito as Jack Baer, FBI
Suzy Amis as Edie Finneran
Dan Hedaya as Sgt. Jeffrey 'Jeff' Rabin
Paul Bartel as Smuggler
Carl Bressler as Saul Berg
Phillipe Simon as Fortier
Jack Shearer as Renault
Storyline: Following a truck hijack in New York, five conmen are arrested and brought together for questioning. As none of them is guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze?
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Reviews
A true thriller!
I have seen this movie many times and yet it still astonishes me every time I watch it. Even though I know the ending I still feel myself being caught up in the plot. It is possibly one of the greatest scripts of all time. I can't remember another movie in which I was completely astonished at the finale. The cast gives a tremendous performance. Kevin Spacey gives one of his two best performances (the other being as John Doe in Se7en) in my opinion. That is probably why he was awarded Best Actor for this role. It was truly deserved. Gabriel Byrne also gives a great performance. It may be the best character Stephen Baldwin has ever played. In all, this is a must for any movie collector or enthusiast.
2001-02-14
Ending Not a Surprise
I was deeply disappointed by this movie. The alleged and hyped twist ending could not have been more predictable. As soon as the mystery character was introduced, I suspected who it would be. As the story unfolded, it was clearer and clearer that it could be only one person. In a bit of Sherlock Holmes logic, all the other options were eliminated and the final remaining choice had to be the correct choice.

We know from early on that the narrating character survives the opening sequence unscathed. That alone was a huge signal which spoils any chance of a surprise. The narrating character is revealed to be an excellent story teller, to be manipulative, cunning, and incapable of being truly frightened. Those are exactly the characteristics of the mystery character. Again, this made the ending obvious.

That the story is filled with 90% false information is disappointing. It's a fundamental violation of the compact between the storyteller and the audience. Perhaps if the twist were not so clearly communicated from the beginning, perhaps if there really was some thought required in getting to the ending, then perhaps it might have some shred of justification. Only perhaps, though -- In the end, almost certainly not.
2007-10-27
what?
Could anyone please tell me what is so GOOD about this movie???What makes this one of the best in history???

Really,I wasn't impressed by the acting..only kevin spacey a little,but he doesn't deserve the Oscar!!!.Then,what so COOL about the story?it was obvious!I just can not figure out how a film like this beats so many other magnificent movies that are rated much lower???

So,the acting wasn't fascinating.The plot was only ordinary,if not worse.The directing doesn't bring anything special...it's obvious why this wasn't even nominated fot best picture!!If it was as good as everyone thinks,it would had been much more appreciated by the professionists...

This is only one of the many movies that tell one of those stories(which are all alike)but that got lucky and got some good votes.

If you enjoy ordinary,not so good movies,watch this USUAL movie
2009-06-13
Great movie; would recommend
Directed by Bryan Singer

Starring: Kevin Spacey, Gabrielle Bryne and Benicio Del Toro

Overall: This is truly an astonishing movie and I definitely recommend to watch it, but don't read or watch anything relating to the movie prior to watching.

Good:

1. Kevin Spacey is absolutely amazing as Verbal and I don't think he can disappoint me as an actor.

2. Gabriel Bryne is awesome as Keaton.

3. All the other actors did good, it was mainly those two that stood out for me.

4. An excellent and well written story.

5. I have very mixed feeling for the ending. It is great and amazing and possibly one of the greatest ever... but I guessed it 20 minutes in. Don't get me wrong, it's excellently done and crafted and, if you think about it, is utterly, utterly genius but I guessed it and I feel like that hurt my viewing experience.

6. Good cinematography.

Bad:

1. Other than Spacey and Bryne's characters, no one really stood out for me to the point were I can just barely recall some of their names.

2. It's sad I have to list the ending as a negative but If I can guess it, on my first viewing... 20 minutes in. It's good but I finished the film slightly disappointed.

9/10
2017-03-13
A twisty classic
After a gun fight on the docks leaves only one survivor with the majority dead, NYC agent Dave Kujan flies in to ensure that ex-cop Dean Keaton is really dead. During the questioning the survivor, Verbal Kint, tells of how events came to happen. Five criminals are brought together in a line up and decide to use the events to plan a job. However another survivor tells an extra story – one involving master criminal Kyser Soze. Kint reveals how the gang were forced into the fateful job by Soze – however who is Soze and why did the men try to steal what appears to be a ship load of drugs that didn't exist?

When I first saw this I saw it in the cinema – the very next day I went back and watched it again. The plot starts with a cliff hanger and appears to gradually answer the mystery - however what it actually does is create more questions for every answer it appears to give. It does this without frustrating you or without confusing the issue – in fact you don't know right till the end that you've been caught in a story teller's web. The plot unfolds like a normal thriller but it is anything but.

The strength of the film is in the writing but it is the direction that also manages to create a great mood. Singer uses clever shots weaving the story into a believable web of deceit. The cast add quality to every single line, every single scene. It's hard to imagine that the film could be the same with any one person changed.

Bryne is great as Keaton, his world weary cop drawn into a plan he can't control – or is he the master behind it all. Spacey gives a great performance as our eyes and ears as he retells the events, he deservedly won an Oscar for this role – before he got all soft and started becoming a starring man. Baldwin has the film of his life (albeit not hard!), he's really good and should be lucky to get another good role. Even the minor roles in the gang are great – Del Toro's performance is even better when you knew why he did it that way. Likewise Pollack will never have a better role – he has genuine tension between him and Baldwin (even in later interviews the dislike still seems real – with things like Pollack telling Baldwin he's sorry that his brothers stole all the food from his table). Palminteri does a great performance and is totally convincing. Postlethwaite is good despite playing an Asian (?) lawyer. Suzi Amis is good in her brief role and Esposito is as good as he always is.

Overall I could talk for hours about this film. It's rare for films now to have decent plots worth talking about however this manages it – it's still twisty and impressive no matter how many times you watch it.
2002-07-04
The most enjoyment you'll have seeing a movie for the *second* time
Ah, the Usual Suspects. My personal favorite movie of all time. Don't let my bias be a fool. Perhaps it's not THE best movie ever, but it's one that I never get tired of.

If you like flash and bikinis and breath-taking camera angles, you won't find them here. Usual Suspects is not an "epic," and it doesn't pretend to be. It's a modestly-budgeted piece by a fresh director (who later went on to do the X-Men movies, a FAR departure).

A great, gritty script, beautifully-acted characters, and what many have called the greatest movie ending of all time, are some of the shining qualities that make the Usual Suspects an object worthy of praise above its humble-looking shell.

The casting is very unusual but somehow fits perfectly. Gabriel Byrne is convincing as the ex-con trying to build a new life when he gets drawn back into his old life. Stephen Baldwin has the role of his career as the smart-mouthed and cocky professional. Kevin Pollak takes a big departure from his usual good comedy self to take a more dramatic role. Benicio del Toro literally takes a one-dimensional character with absolutely nothing in the script to give him character, and he fleshes it out with brilliant mannerisms and memorable mumbling to show incredible acting creativity. Kevin Spacey as we know him was born from this movie. His manners and fast-talking yet shy gimp nature are a treat to listen to throughout the flick.

Without giving away the plot, the best and most genius parts of the movie are the subtleties. After you see the ending, and the truth hits you like a ton of bricks, you have to watch it again. On the second time through, you'll jump up and point at the screen whenever you spot a clue you missed the first time. It's even possible to watch the movie multiple times and see something new with every viewing. It's that attention to detail that make the deceptively innocent-looking Usual Suspects one of the greatest movies of all time.
2004-09-08
Intricate Storyline, complex but is made amazing by its ending.
To be honest I thought this film was good up until the last ten minutes, thats when it became a great film. The preleptic techniques used was amazing so that by the end you are just as fooled as the characters in the story.

Spacey's performance was excellent you really don't see the ending coming as a viewer it really comes right out of the blue, this film by the end is something so complex and really makes you think, without completely exhausting your mind it creates a paradox that I don't think anyone could figure out by the end.

Yes, you are left with a few questions at the end, but thats the beauty of this film, as the case just ends in the film, the police are left and so are you as a viewer, however they don't leave annoying small links it instead ties up the main storyline well. It is truly an ending that is mind numbing and something that other films should definitely try to replicate.

The story is so intricately written and portrayed that it is amazing to watch, and I noticed that the complexity of shots improves as the film progresses and the team venture into larger operations, yet even still Im left with the feeling that I could watch it again, and not see the ending coming again.

Only negatives were for me the police investigation which proved to be completely irrelevant to the storyline, and so can be seen as a hindrance, but the rest of the film makes up for this.

Intricate Storyline, complex but is made amazing by its ending.
2012-10-11
Surprising ending with little behind it
Just about everyone agrees that the surprise ending to "The Usual Suspects" is very satisfying, as is Kevin Spacey's performance as the pathetic yet strangely-likeable Verbal Kint. Unfortunately, I found that there is little else to be enjoyed.

All in all, the cast's performances were not all that superb. Spacey is an exception, but that's nothing new. The story itself is well written, but not very interesting. It's conceivable that the cast would be seen as fulfilling the characters well precisely because the characters themselves are so vague. The screenwriter makes sure to lay the idiosyncrasies on thick without allowing us to know the characters and better understand their quirks. Naturally, there's only a given amount of depth that can be accomplished in an hour and a half, but "The Usual Suspects" still barely reaches that.

So while I would recommend this film for Spacey and the ending, I don't think its worth waiting around for 80+ minutes of ho-hum "gritty crime drama" to get to all the scenes where he really shines and where the script isn't so dull.
2000-06-13
and just like that...hes gone
No matter how many times I watch The Usual Suspects, and believe me it's been many, I still get the same diabolical thrill, the same rapturous excitement and the same rush of storytelling and dramatic payoff as I did the very first time I saw it. Every performance from the vast and diverse cast is a devilish creation packed with red herrings, juicy dialogue and bushels of menace, every scene piles on the mysticism of the criminal underworld beat by beat, until the characters begin to pick it apart and the whole thing unravels like a great serpent coiling forth bit by bit, scale by scale, swerving toward the shocking, disarming third act that has since become as legendary as it's elusive and terrifying antagonist. In the crime/mystery corner of cinema, there's no arguing that this delicious piece of hard boiled intrigue reigns supreme, and it's easy to see why. In a seemingly random police lineup, five career criminals are harassed by an unseen hand, pushed into carrying out dangerous heists and violent manoeuvres by a shadowy campfire tale among the world of organized crime, a Boogeyman called Keyser Soze, if he even exists at all. Slick and sleazy ex cop Dean Keaton (Gabriel Byrne) heads up this dysfunctional crew of vagabonds which includes hothead McManus (Stephen Baldwin in a role originally intended for Michael Biehn, which kills me to this day), weirdo Fenster (Benicio Del Toro, using an indecipherable mishmash of an accent that would be the first of many), spitfire Hockney (Kevin Pollak) and Verbal Kint (Kevin Spacey) the runt of the litter. The lot of them are intimidated into performing risky enterprises by lawyer Kobayashi (Pete Postlethwaite) until the climate of their actions reaches a boiling point and answers emerge from the darkness. This is all told in retrospect by Spacey, to a rabid customs agent (Chazz Palminteri) who has designs on ensnaring Soze. Spacey scored Oscar gold for his heavy work here, spinning a tale whose layers interweave and pull the wool over our eyes time and time again before offering any glimpses of truth. Byrne is a fiercely guarded storm as Keaton, a man with secrets so deep even he doesn't know who he is anymore, letting the anger set and smoulder in those glacial eyes of his. The supporting cast adds to the class and confusion terrifically, with fine work pouring in from Dan Hedeya, Suzy Amis, Giancarlo Esposito and a wicked cameo from Peter Greene, who provides a moment of inspired improv. The score of the film rarely relies on dips and swells until all is said and done, keeping a tight lid on the orchestra and feeding us nervous little riffs of anxious portent that keeps tension on a tightrope and anticipation on call. A mystery this tantalizing is irresistible the first time around, but the trick is to make your story re-watchable, and I've seen this thing over a dozen times. Every viewing provides some new angle to the story I didn't see before, or I notice a subtle interaction in the very naturalistic and funny dialogue which escaped me in the past. My favourite thing to do is watch films with someone who hasn't seen them before, observe their reactions and opinions on every little story beat and cinematic flourish, it's almost more fun for me than the actual film itself. The Usual Suspects is a showcase piece for that activity, because you get to see this very complex revelation unfold through new eyes as you watch them experience the revelations. Whether your first viewing or your fiftieth, it never loses its power, and the spell it casts just doesn't dim. Masterpiece
2016-12-04
The Usual Suspects Certainly Defies Pigeon Holing or Labeling!
.......................................................from Pasto,Colombia...Via: L.A. CA., CALI, COLOMBIA and ORLANDO, FL

SUSPECTS larger-than-life allure results from a seamless blending of elements: Psychodrama, Action, Suspense and Mystery, all built on intricate storytelling, a dynamic screenplay and taut direction, by Bryan Singer. The aforementioned are all bolstered by credible in-depth character development, brought to life by an outstanding cast, who flesh out each role to chilling near perfection. (Kevin Spacey, seen here before most people would have recognized his name, received an Oscar for his "supporting" role!)

But let's not get sidetracked. More than anything else,"SUSPECTS" is about the unparalleled unsettling reaction you get from viewing it! From the first scene to the end credits, it gets a headlock on your psyche, while sending the pit of your stomach into endless free fall! The only way to illustrate this, without giving away any key elements of the film, is a detailed look at the opening scene....a peerless example of instant timeless classic film noir.

On a boat, docked in San Pedro Harbor, the dying sole-survivor of an apparently devastating bloodbath shootout painfully ignites a thin trail of gasoline. His obvious intention: Destroy EVERYTHING...himself included! From a deck higher up, an unseen someone pisses out the trail of flames. The shadowy figure walks down the stairs with an unhurried deliberation and saunters over to the agonizing man he has just saved. They exchange somewhat forced greetings and a few disjointed words of banter.

Without warning, the intruder firmly raises a pistol, his unblinking gaze reflected in eyes locked in contact with his own. Unhesitatingly, he fires two consecutive shots. A brief pause of contemplation ends when he casually lights a cigarette, strategically dropping his lighter to rekindle the liquid fuse, and then beats a hasty off-board retreat. What better way to introduce a character whose twisted iron resolve is so perverse, so deranged, that he saves a doomed man seconds before certain death, solely for the unmitigated pleasure derived from looking him squarely in the eye, his victim looking right back, while pulling the trigger himself.

Without uttering a syllable, his actions shout out, "I p**s on you and your puny existence!" His victim's final moments are thusly converted into a living/dying testimony, clearly demonstrating who it is that decides the particulars of when and how he will die! "SUSPECTS" has been severely critiqued by a vocal minority (to paraphrase another reviewer) for not knowing the difference between a plot twist and a non sequitur. With all due respect to the reviewer, who painstakingly highlighted the difference for us, perhaps a careful second viewing would shed some light on the source of this common confusion. After watching "SUSPECTS" four times making every effort to employ my most discerning eye, I am convinced the true genius of the movie hinges on this particular point!

Let me underscore my unequivocal recommendation of this film with a special note to those of you who avoid the Action or Suspense genre because of your distaste of the excessive violence that generally characterizes them. Well, THIS IS NO Robert Rodriguez FILM! A lot of the scenes are done in the "Old School" style, where the violence is kept off-screen. Although there is considerable TALK in "SUSPECTS" about some of the most dastardly deeds imaginable, virtually none of this is graphically portrayed. So, PLEASE, if you have not seen it yet, because of this reason, I urge you to make an exception in this case...

10* STARS*! GET IT AND SEE IT!......ENJOY/DISFRUTELA!

Any comments, questions or observations, in English or Español, are most welcome!
2016-08-02
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