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The Silence of the Lambs
Year:
1991
Country:
USA
Genre:
Crime, Drama, Thriller
IMDB rating:
8.7
Director:
Jonathan Demme
Jodie Foster as Clarice Starling
Anthony Hopkins as Dr. Hannibal Lecktor
Scott Glenn as Jack Crawford
Anthony Heald as Dr. Frederick Chilton
Ted Levine as Jame 'Buffalo Bill' Gumb
Frankie Faison as Barney Matthews
Kasi Lemmons as Ardelia Mapp
Brooke Smith as Catherine Martin
Paul Lazar as Pilcher
Dan Butler as Roden
Lawrence T. Wrentz as Agent Burroughs
Don Brockett as Friendly Psychopath in Cell
Frank Seals Jr. as Brooding Psychopath in Cell
Stuart Rudin as Miggs
Maria Skorobogatov as Clarice Starling
Diane Baker as Sen. Ruth Martin
Leib Lensky as Mr. Lang
George 'Red' Schwartz as Mr. Lang's Driver (as Red Schwartz)
Lawrence A. Bonney as FBI Instructor
Jeffrie Lane as Clarice's Father
Storyline: Young FBI agent Clarice Starling is assigned to help find a missing woman to save her from a psychopathic serial killer who skins his victims. Clarice attempts to gain a better insight into the twisted mind of the killer by talking to another psychopath Hannibal Lecter, who used to be a respected psychiatrist. FBI agent Jack Crawford believes that Lecter, who is also a very powerful and clever mind manipulator, has the answers to their questions and can help locate the killer. However, Clarice must first gain Lecter's confidence before the inmate will give away any information.
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Reviews
Some new aspects
When I first saw this film, I was about 14, lying in my bed, watching it in German on TV late at night, with the lights on, and almost falling asleep (probably actually dozing for a couple of minutes now and then). When I was waking up once, noticing Hannibal Lecter on my television screen, looking at me with his alive, clear eyes and speaking to me about screaming lambs, that was surely one of the most exciting moments in my movie-interested life. So it is definitely a good idea to see this at night, with one's concentration wandering away.

Now I saw it again (at daylight!), and many other things struck me. The character of Catherine Martin is actually really cool. The snobbish daughter of a famous politician reacts to the terrible things that are done to her in an unusually offensive way - it looks as if she was never giving up.

And then did you notice how utterly serious this film is? There is not a single funny scene in it. And this is really great! Which other feature film today manages to be taken seriously by everybody and never being unintentionally funny although it does not have a single moment of irony? The humorous take-outs attached to the DVD version seem really weird and out of place when you are in the mood this unbelievable film creates.
2004-10-09
This movie takes a real bite out of you!
The normal human being's fear of being attacked, bitten open in a violently impersonal manner and then taken in as food is as old as the first human being's shattering witness of such a primordial act. In the thousands of years of human evolution, intelligence has armored [most of us] against predations of that horrible sort. But even more incomprehensible is an attack, for mere hunger's sake, by one human being upon another! When first we see Dr. Hannibal Lecter, his madness is merely the subject of comment, responsible or otherwise. As we view him [uncomfortably] from the safety of a theatre seat, we can only imagine the deep wells of need which forced him to savage his fellow human beings in this manner, and this makes all the more terrible the awful scene in the Memphis courthouse. Into all this walks Clarice Starling, her innocence and anxiety both touching and troubling. She is essentially tricked into taking the assignment to "interview" Lecter by her superior, Jack Crawford, who callously deems her expendable. She somehow summons the rural courage of her youth, forged from the furnace of her weary sufferings, and becomes the blank sheet for both Crawford's and Lecter's amusement. As the result of being pulled in opposite directions in the murderous tug-of-war between Lecter and Crawford, Starling is almost totally alone in the film. In spite of her genuine liking for Aredlia Mapp, Starling's isolation is nearly so complete as to be claustrophobic. Director Jonathan Demme's finely-nuanced work here is well served. Her enlightenment takes place primarily in darkness, whether the setting is Lecter's cell in the dungeon, or whether the apotheosis takes place in the demon's lair. There are almost no likeable characters in the film save Starling. This makes it easy to root for her to overcome the furies which have pursued her since her tenth year. Clarice's predatory instincts are to bring a vicious psychopath within the scope of punishment. In sharp contrast, the other main characters in the film are possessed of predatory natures of a baser, more primitive kind, whether it is Dr. Frederick Chilton's need for sex, or Crawford's need for control, or Lecter's need to destroy for pleasure. The music score by Howard Shore is reminiscent, in a eerie way, of Bernard Herrmann's work in Psycho. Shore's opening theme foreshadows the loneliness and desperation of Starling's dual quest, which is to kill both beasts: the one without and the one within.
1998-10-22
The Lambs Can Never be Silenced
If you want a movie to watch in the dark, look no further than The Silence of the Lambs. Jonathan Demme's tense thriller combines excellent actors and a wonderfully adapted screenplay to make, what seems to be one of the best, if not the best, thrillers of all time.

The film follows three main stories, those being that of rookie FBI agent, Clarice Starling, the psychopath murderer Buffalo Bill and imprisoned psychiatrist Dr. Hannibal Lecter, imprisoned for murder and cannibalism. Clarice is sent to Dr. Lecter to attempt to gain information on Buffalo Bill, because he was a former patient of Hannibal, however all Hannibal is interested in is getting inside Clarice's head. As the film goes on Clarice becomes more deeply involved in the case, right up to the dramatic and excellent climax, as well as Hannibal becoming more deeply involved in Clarice's mind. Meanwhile Buffalo Bill continues his murderous spree, killing and skinning women.

This movie is like no other. It combines tenses scenes with a cast like no other. Anthony Hopkins was born to be Hannibal, and why Michelle Pfeiffer was originally suggested for the role of Clarice over Jodie Foster is bizarre, but because Jodie Foster got the role, it doesn't really matter. When it comes to violence this film is very intense. There are some graphically violent scenes, however the worst violence in the film is the mental violence. Hannibal's ability to destroy someone mentally, is incredibly disturbing, and the films motives are pretty full on. However this contributes to the films overall feel of horror, which is why The Silence of the Lambs is one of the most mentally frightening films of all time.

Stars: 10/10
2005-07-09
Best served chilled with a nice Chianti
THE SILENCE OF THE LAMBS (1991) **** Jodie Foster, Anthony Hopkins, Scott Glenn, Ted Levine, Anthony Heald, Brooke Smith, Diane Baker (Cameos: Roger Corman, producer Kenneth Utt, singer Chris Isaak) Terrifying masterpiece of modern-day horror and the first film since 1975's "One Flew Over The Cuckoo's Nest" to win all 5 major Oscars (Picture, Director: Jonathan Demme, Actress Foster, Actor Hopkins, and Screenplay Adaptation by Ted Tally of the best-seller by Thomas Harris): novice FBI agent Clarice Starling (a stalwart Foster) begins her career in a manhunt for a serial killer known as "Buffalo Bill", a transsexual wanna-be whose grisly crimes leads to her only source of his trail: imprisoned psychiatrist Hannibal "The Cannibal" Lecter (Hopkins in one chilling and modulated perf) whose mindgames with the rookie agent has her on her toes and running out of time. Exciting, suspenseful and supremely scary with some truly eye-widening moments of the unexpected. Best line: Lecter at film's end: "I'm having an old friend for dinner."
2003-04-22
"One of the best films of our time."
Lector Quotes: "People may say were in love." Call it what you want, this film is a scary, crazy, sacred love story. Clarice (Jodie Foster) has a dark past, much like Hannibal Lector (Anthony Hopkins) who has a hunger to eat the flesh of human beings. There's a scene when Lector finnaly helps Clarice to let go of her past, and as she's about to walk away he touches her finger. That touch has all of his emotions, love, anger, and the rest is all of the above. But that is what I mean by sacred, its weired but sacred.

THE PLOT

A vicious psycopath is murdering women throughout the midwest. Believing it takes one to know one, the F.B.I. sends agent Clarice Starling (Foster) to interview a prisoner who may provide clues to the killer's actions. That prisoner is Hannibal Lector (Hopkins), a brilliant, demented cannibal who agrees to help Starling only if she'll feed his morbid curiosity with details of her own complicated life. But as their relationship develops, Starling is forced to confront not only her own hidden demons, but also an evil so powerful that she may not have the strength to stop it.

Anthony Hopkins and Jodie Foster deliver sensational performances, and portray complicated and enigmatic characters. The only film that I remembered scaring me like this was "Psycho", and thats what we have to compare this film to. "Psycho", "The Exorcist" and even the modern thrillers, like "The Sixth Sense" and "Signs."

I love this film, I give it ****(out of 4 stars).
2004-08-11
Takes its place among the best horror movies of our time
This movie was amazing. The dialogue was witty, clever and sometimes chilling. The directing was beautiful and the acting was absolutely superb. Jodie Foster was great as the the FBI agent Clarice Starling who is on the trail of a serial killer. Foster was good but the star is of course the magnificent Anthony Hopkins who steels the show with his rolling eyes and taunting voice. Both actors deserved the Oscars awarded to them. So did the director Jonathon Demme. The story was great, the only clique was with the ending that has always bugged me. The movie is an intelligent chilling thriller and there was this great build up to something that didn't meet the audience's expectations. Besides that everything about this movie was perfect. Highly recommended.
2008-04-27
A Grand Thriller
This is definitely a film that proves you don't need tons of blood and gore to have a good suspense film. Anthony Hopkins performance as the deranged genius Lecter earned him a well deserved Academy Award and the same was true of Jodie Foster's performance as Clarice Starling. This film should go down in history as one of the greatest suspense films in the history of cinema.
2003-07-12
an FBI agent is on her mission to track down the notorious Buffalo Bill , a criminal who skins women.
it is an extraordinary thriller.i saw it quite a long time back and at once loved it . since then i have revisited it almost around fifty times. what makes it even so good are the performances .everyone from Jodie foster to Anthony Hopkins to Scott Glenn were too good .it is one of my fave thrillers , in fact i fell in love with thrillers after watching the film. i was intrigued by the story the first time i watch it ,but it's been so many times i have revisited it and always found something new about the film . it's my fave thriller from 90's and one of my all time favorite thriller . the experience of watching the film was enchanting and honestly even the performances by Jodie foster and Anthony Hopkins are reason enough to make it one's favorite . it's mesmerizing, enchanting , awesome. a masterpiece.
2013-05-26
Not that great..
It is really difficult for me to understand what it is about this film that everyone loves. I have seen many thrillers and I can honestly say that this one is not even in my Top 20. Although I think Hopkins did a terrific job in Lecter's shoes, his 30 minutes on screen just were not enough. This was supposed to be a horror film but I think it barely managed to create the suspense atmosphere and it certainly did not scare me or made me feel uncomfortable at all. Perhaps I expected more since I have been hearing all the fuzz about this movie since I was a little kid. So I watched this film several times and I am still not enjoying it that much.
2009-03-17
Just a lame psycho and a kiddo playing hide and seek
Ever since this one came out I've been reading great things about it, but I didn't get in that bandwagon as I always had the bugging feeling this was just another proverbial ruler without a decent wardrobe. Also I'm not great fan of Foster, neither I'm of Hopkins, but I decided to give this one a try anyway as, even if I didn't have much expectations I was willing to be pleasantly surprised by, fool of me, good plot and decent acting. But what do you know, that 6th sense had kicked up again.

For 75 min. SOTL moves along in so-so territory, as there's nothing in it that would make for a classic. The main story is one that I've seen many times before, mostly in CSI, only difference being that here the police is trying to enroll one nut into helping them to catch another. But all parallels stop there. The characterization is practically nonexistent and after 60 min. one still doesn't know a thing about those cops, as they all act like the oh, so common, stereotypical, law enforcers. As for the two nuts, they are just caricatures. One thing that for 9 seasons made of CSI such a classic was the impeccable characterization, right from to the bosses down to the scruffy guys in the labs, thanks to the superb acting job by all involved--specially Peterson--so much so we'd even mention them as if we knew them personally. Granted, here they had only 2 hours but, please, how many 90-min. movies with unforgettable characters you can remember? This flick is so bad character--wise that not even Foster's is defined by her acting, behavior, but by the bits of life story she tells to Hannibal!. As for Hopkins, he didn't impress me at all; he looks just like another nut of the kind I see everyday in the street or the subway and he's most forgettable trying to scare us with his bad ass stare. Anyway, for 75 min. the flick slumbers along, barely sustaining itself while totally lacking in atmosphere, tension or emotion.

Then the plot dissolves into lameness and stupidity. I'm talking in first place about Hannibal's escape. We are supposed to believe that the tightest possible security measures have been taken--someone even talks of calling the SWAT and cordoning off 10 blocks around-which means they are aware of the risks he represents. Yet in Hannibal's floor there are only two guards with no communication—radio, TV monitor--armed with clubs and maze (while everyone else carry guns). But it gets even worse: Hannibal flees in an ambulance disguised as a wounded cop, implying that all present cops & medics are morons. Later, when it comes to the part in the psycho's place the flick goes into standard Hollywood crap: awful dialogs; general overacting; chaotic camera work, editing--to give "atmosphere"--cliché antics by the lone, enterprising heroine, etc. The flick ends up with an avalanche of feel good clichés—most of the "law & justice prevail" kind, the only thing missing there being the final romantic kiss.

The cinematography is mediocre and specially bad in the scene where they examine the body of a victim. Contrary to standards, they shot the whole scene using--instead of wide or medium shots, to give us the most possible info on the proceedings--one close up after another, specially of Foster's, for no reason at all. What's the obsession with those close ups that litter the whole flick anyway? After a while it gets annoying. But this is just one of many flows. For ex.: what's the idea of portraying the head of a mental institution as a spoiled brat? Why the police ever expected to get a psycho on their side? And why they'd give such a job to a kid who doesn't know how to handle mental patients? Speaking of editing, those flashbacks of Clarice's dad are terribly done.

So, stay away from this one. Just another emperor....err, turkey in emperor's clothes. 2/10
2011-09-10
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