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The Lord of the Rings: The Two Towers
USA, New Zealand, Germany
Drama, Action, Adventure, Fantasy
IMDB rating:
Peter Jackson
Sean Astin as Sam
John Bach as Madril
Sala Baker as Man Flesh Uruk
Cate Blanchett as Galadriel
Orlando Bloom as Legolas
Billy Boyd as Pippin
Jed Brophy as Sharku
Sam Comery as Éothain
Brad Dourif as Wormtongue
Calum Gittins as Haleth
Bernard Hill as Theoden
Bruce Hopkins as Gamling
Paris Howe Strewe as Théodred - Prince of Rohan
Storyline: While Frodo and Sam, now accompanied by a new guide, continue their hopeless journey towards the land of shadow to destroy the One Ring, each member of the broken fellowship plays their part in the battle against the evil wizard Saruman and his armies of Isengard.
Type Resolution File Size Codec Bitrate Format
1080p 1920x800 px 16794 Mb h264 (High) 1536 Kbps mkv Download
HQ DVD-rip 720x304 px 3011 Mb h264 1787 Kbps mp4 Download
DVD-rip 480x234 px 797 Mb mpeg4 647 Kbps avi Download
iPhone 640x360 px 2004 Mb h264 1561 Kbps mp4 Download
Jackson remains a genius, and this series remains a masterpiece--Faithful enough to Tolkein, and a fantastic movie!
I've read ---with care and delight--- the books four times in the last 34 years, including the recent reversion to Tolkein's "original" manuscript, edited by his son. I'm a fan. There, I said it, and I'm glad, I tell you!

This second installment of the trilogy is probably as good as a movie could get. It captures the Tolkein vibe probably as well as it could be captured in a theatrical release. Watching the flick tonight I realized that much of the vaunted charm of the very readable and very "literary" Tolkein books is in part the time it takes to read the long pages--- 1,000 to 1,400 pages, depending on the edition your are holding. And that time--- weeks and weeks of pouring over pages, re-reading certain passages, pondering and mulling over the fake languages and songs, and histories Tolkein concocted--- allows one to create and invent the Tolkein world inside oneself. That's GREAT! I loved each time I read the original. But no one could possibly expect a movie to give you, in 2-1/2 hours, that kind of luxurious lingering in the fantasy world. Duh!

Therefore, the movie's focus on action--- and FYI, it is dead-on accurate and faithful to the books--- is OK. The Ents' meeting in the forest took 3 or 4 DAYS in the book, and Merry and Pippin spent many more days hanging with Treebeard. The movie telescoped that down into a few hours. But hey!!! Think about it--- how could a movie, ANY movie, capture all of the sylvan reverie (including the Hobbits growing a couple of feet taller with the Entwash, etc.) in a trilogy movie series? All of that dreamy book-world stuff would be great to see on the screen--- but it would take dozens and dozens of hours of screen-time. Who could sit in a theater for that many weeks? There aren't that many "festive" people on the planet to make such a theatrical release profitable.

Maybe if we were wishing, we could have wished for a 30 or 40 hour TV mini-series. Then we COULD afford to meander and linger and all of that. Seriously--- I'd have enjoyed it. But then, the battles and evil empire and such would have to be portrayed with a vigor equal to Jackson's efforts, else the drama and peril (etc.) would be lost. For MY ridiculous wishing, then, I'm wishing for them to have made two projects--- the 3 theater-release movies, AND a 30-hour TV mini-series for all the "literary" vibe. But then, instead of a $300 million triology, we'd have had a $1 BILLION dollar (but memorable!) TV mini-series. Oh well--- if wishing were having...

Overall, "LOTR Two Towers" is an excellent movie! A "10" out of "10"!!!
The Lord of the Rings: The Two Towers
As the penultimate film representation of J.R.R. Tolkien's book series "The Lord of the Rings," "The Two Towers" was a blockbuster hit in theaters worldwide. Besides the fact that it was the film that would tie "The Fellowship of the Ring" to "The Return of the King, "The Two Towers" closely and effectively portrayed the text of Tolkien's book "The Two Towers" which helped to rake in a large audience - particularly those who knew Tolkien and his story of the Ring from his books. In terms of the film, Peter Jackson's excellent directing as well as the award-winning performances delivered by the star-studded cast allowed for the attraction of millions of viewers. Also, "The Two Towers'" epic battle scenes and constant sequences of action contributed to the film's overall attractiveness. Perhaps one very important characteristic of the film to note, however, is its special effects. Through the use of special effects, Jackson generated a film that stimulated the imagination of the audience, especially those who had read the book series, and brought them into a place where they could easily imagine themselves in Middle Earth, watching Frodo's quest omnisciently. The quality of the film combined with its accurate representation of Tolkien's book series both contribute to the epic nature of "The Two Towers" and also leave fans with an incredible story to remember.
Peter, what have you done!?
This film was such a disappointment compared to the first one... About EVERYTHING has changed from the book, and it is not for the better, that is for sure. I don't quite know where to begin:

- Frodo is made to look like he is totally under the rings spell, and that he does not see the treacherous nature of Gollum. But then suddenly he is himself for two seconds when discussing with Sam whether their adventure will be told in a song or story... WEIRD!

- Gollum is just wrong... His eyes are too cute, sort of...looks like a small baby (they are not too beautiful when they are a week or two old, to tell the truth...)

- Shadowfax is supposed to be the fairest horse there is; almost supernatural. In the film he is just an average horse, and not even the most beautiful horse of the film... As to Gandalf, he is supposed to look radiant and powerful, almost like a god! But he just looks like an old, tired man...

- The elves in Helms Deep...where did that come from!? The elves never came to the rescue in that battle!!!

- Faramir is reduced to a copy of his brother, something which really annoys me! And then he brings them to the city with him...?

- Poor Gimli is made to be a "JarJar"...he is just this helpless, useless person that we are to laugh at. Yes, he is helpless sometimes, especially when it comes to horses. The thing with Gimli willingly going up on a horse in the film is just wrong; he's terrified of riding horses, and will only do so if he gets to sit with Legolas on his horse.

- Aragorn is made too much of a hero; it almost made me sick (And I am a girl!!!)

- Why did they have Pippin bite that brooch off his cape instead of letting him try to run away from the orcs before throwing it in the grass, like he did in the book? He doesn't seem so heroic in the film...

- Why did they make it look like the Ents were not interested in helping?

- There is so much from "Two towers" that is not in the film...I guess it will be coming in the next one, though, so I won't complain too much about that...

There are lots of other stuff I could have mentioned here, I am sure, but I will spare you for the rest. The first film was great, but Peter, you disappointed me with this one - I hope you do a better job with number three!

A visual masterpiece and better than the first
So the journey continues with 'The Lord of the Rings: The Two Towers.' This review will assume you have seen the first film, 'The Fellowship of the Ring.' Which is fine because Peter Jackson, at the helm of this massive production, assumes you have seen it as well. Intelligently, Jackson does not begin with a redundant and unnecessary prologue. He dives right into what the filmmakers considered the hardest of the trilogy to make.

When we left the fellowship, they were in shambles. Gandalf had fallen; Merry and Pippen were kidnapped by the evil forces; Aragorn, Legolas, and Gimli seek their smaller comrades without the help of Boromir, who has also died; this leaves Frodo and Sam on their way to Mount Doom, the one ring still in their grasp.

'The Two Towers' is more successful than 'Fellowship' because the storytelling becomes more complex without drowning us in information. The first film introduced us to the many characters of Middle Earth (too many, I believe). 'The Two Towers' isn't quite as concerned with exposition, though new characters do come on board. Merry and Pippin meet Treebeard, a large, talking "tree herder" who is concerned about the plight of his forest's future since the destructive orcs and their masters, Sauron and Saruman, burn everything in their path.

Legolas, Aragorn, and Gimli enter the kingdom of Rohan and cross paths with King Theoden and his people. Theoden has been under Saruman's spell as part of he and Sauron's master plan to take over the separate kingdoms of Middle Earth. Eowyn, the king's niece, develops a special liking for Aragorn. However, as we understand from the first film, there is still a deep love between Aragorn and the elf Arwen. Along with the rest of the elfs of Middle Earth, Arwen is persuaded to leave for another world entirely. She does have reservations leaving her true love Aragorn, though mortal and she is not, for distant lands and never see him again.

Frodo and Sam are introduced to the mysterious Gollum, who attempts to attack the hobbits in their sleep to regain the ring. Instead, Gollum and Frodo kindle a special relationship since they both harbor a certain addiction to the ring's power. Frodo's Elijah Wood is the most effective actor in 'Two Towers' as he is gradually taken more and more over by the ring and it's awesome strength. Gollum becomes Frodo and Sam's guide to Mordor, as he has been there before. Gollum's intentions, though, are never clear to the hobbits - neither are they to Gollum.

These three strands of story form a massive, thoroughly effective, epic tale of nature vs. machine, creature vs. creature and, through Frodo, man vs. himself. The encompassing story leads to a heroic battle sequence fought on two fronts, while all the time we wonder how long Frodo can hold on to his sanity as the ring slowly takes power over him.

The pacing, which was an issue with 'Fellowship,' is not problematic at all the second time around. The three stories are told in a manner that flows right through the three hour+ tale. One problem that persists is that 'Two Towers' is largely unaffected by the humanity other than Frodo's saga. There is love between Aragorn and Arwen, Eowyn also shows up as a romantic character. Her father, Theoden, is a courageous man but flawed psychologically. There exists connections between these many characters and more but they all feel half baked and cast aside to make more room for fighting.

Still, 'The Two Towers' is enormously successful as a narrative and even more ambitious than 'Fellowship' visually. The score, by Howard Shore, is among the very best ever composed. The evil orcs and uruk-hai never look fake and evoke terror in the characters and in the audience. I still yearn for a more personal story, but in other realms of film-making, Peter Jackson and those under his command have outdone themselves. ***.5 out of ****
A true masterpiece!!
Of all three movies in this illustrious trilogy this might be my personal favorite. This is an incredible film. IMHO the opening and closing sequences (Gandalf Vs. Balroc & Helm's Deep) are unmatched in their greatness. The middle isn't too shabby either with a few great action sequences, some interesting character development and some of the most breathtaking settings ever put on film.
Jackson should have called it "Middle Earth Stories" - It has nothing to do with Tolkien except the names and places
After watching the Two Towers, I was so disappointed that I left the theater resolved not to buy the DVD and to sell my current copy the Fellowship (which I bought in the hope that it would be redeemed by the later movies.) To be fair, my frame of reference for the movie was based entirely on the books, which I have been reading (over and over again) since I was nine. It seems as though Peter Jackson takes some perverse pleasure it making the characters do exactly the opposite of what they did in the books. I understand it is difficult to transport any book to the screen, but Jackson's changes were not even remotely consistent. This... of course... is the heart of my disappointment. Tolkien wrote a story that seemed to peer into another world - not just of fantasy, but a worldview that is in essence pre-modern. Tom Shippey (Journey into Middle Earth) explains it as a reconstruction of the Middle Ages and its psychology - with priorities, duties, and responsibilities appropriate to that era. C.S. Lewis talked about it as a "Discarded Image" that we once knew, but now no longer fully understand. The Lord of the Rings is a fascinating glimpse into a world where honor and virtue (the immaterial world) stands always higher than the temptations of the material world (such as greed, selfishness, pettiness, etc.) Peter Jackson captures none of that. More importantly, his free reconstructions not only confuse the story on the surface level, but also run completely counter to the spirit of the book. Jackson's characters have no concept of higher duties or responsibilities - they are portrayed as weak creatures constantly at struggle with their base emotions (with no room for higher ideals). In fact, this movie was especially dark and pessimistic. True... this may reflect the modern mindset - in fact, it probably mimics it perfectly. The problem is that I love Tolkien precisely because it does not pander to the modern mindset. It speaks of higher things. I have friends who have never read the books who liked the movie, and I suspect that my love of the books has significantly shaded my perspective. Indeed, if viewed completely on its own terms, the movie is probable fine. But... what I find continually disturbing is Jackson's repeated claims that he has remained true to the book - that is an outright lie! I know he does not want to offend the Tolkien fan base (like me), but I find his pleas of innocence to have exactly the opposite effect. He did not stay true to the book, in either its letter or its spirit. It would have been less startling to me if he had simply called it by another name and made no pretense of turning the book into a movie.

On an altogether separate, more technical, note; I found the movie to suffer generally from poor direction. I realize this goes against the grain of almost of the critics, but honestly, I have a problem with Jackson's style of directing - this is completely apart from his editorial abuses. Specifically, he does not give the characters time to consider or reflect on the events; the cuts are too quick and unsatisfying. And this is not just a problem with too much material in too short a time - he could have lost the entire sequence with Aragon and Arwen freeing up 30 minutes or more (without any loss to the story). Also, Jackson so desperately wants this to be epics that he throws in giant panoramic scenes - unfortunately, he does so with the frenetic energy he puts into the scene cuts, which means that the scenes are constantly in dizzying movement. A sustained shot would be nice, and might give the viewer a moment or two to take in the context of the events. But alas, Jackson's sweep do not allow you to catch in any details, or even any of the magnitude. This leads me to the final technical complaint; for all the buzz surrounding the special effects, Jackson's team seems unfit for the job. I suspect he is constantly moving the panoramic shots because the scenes would not hold up to closer examinations. Elsewhere, the CGI characters (with the exception of Gollum, who was created and performed very well) were shallow fascimilies. There were several places during the final battle sequences, where I could almost see the blue/green screen overlays. If Jackson wants to create a competitor to ILM, he will be disappointed. The special effects were both unsubtle and immature - they did not blend well into the story, and were, occasionally, simply distracting.

Of course, if you have not read the books, these problems are minor and you may well love the movie. If you have read the books - but only so long ago that you can't remember the storyline, then you might like the reunion with old (albeit completely different) characters. If you love the books, their stories, and their message - this movie is probably not for you.
Scary, Action-Packed, Eye-Popping Second Film In The Lord Of The Rings Trilogy
Following on from The Fellowship Of The Ring, JRR Tolkien's The Lord Of The Rings saga continues as hobbits Frodo and Sam, in the company of the devious Gollum, continue their quest to destroy the One Ring, Aragorn and his friends fight to protect the people of Rohan from the evil Saruman's vast army of orcs and kidnapees Merry and Pippin escape from their captors and befriend the Ents of Fangorn Forest.

This beautiful and breathtaking fantasy film's only flaw is that being the middle book of a trilogy it doesn't have a beginning or an end. That aside, it maintains the stunning high quality of the previous film in every aspect of production and keeps the epic story sweeping along at a magnificent pace. The performances are uniformly excellent but three actors new for this movie in particular distinguish themselves. Hill as the proud but miserably oppressed King Theoden. Dourif as the slimy Grima Wormtongue. There's a wonderful moment where he says to Lee, "But we'd need an enormous army for that !!", to which Lee strides to a balcony and looks down at a colossal orc army amassed outside. And in particular Serkis, who never appears on screen (Gollum is computer-generated) but performed on set, motion-captured the character's moves and provided his incredible voice. For me, Gollum is the key character in the movie and he is brilliantly realised, bursting with pathos, rancorous bile and schizophrenic nuttiness ("We hates Bagginses !! We hates them forever !!"). Howard Shore's excellent score and the outstanding effects work by Richard Taylor, Jim Rygiel and Randy Cook (the battle for Helm's Deep setpiece especially is a stunning composite of live-action and effects) serve to make this film even more spectacular than its predecessor. This is a movie with too many great scenes to mention, and tells a classic story with incredible visual splendour.
I thoroughly enjoyed 'The Fellowship' and was eagerly awaiting the release of 'two towers'. I have never read the books but was informed that the 'Two Towers' would be even better than it's predecessor as the plot thickens and action really gets going. However, on leaving the cinema after watching this film I was left somewhat disappointed.

I have read review after review saying this is peoples favourite film. I mean come on, be serious. It takes an age to get going and if it was not for the climactic battle of Helm's Deep would have been the worst excuse for a 3 hour long film since the first two hours of Titanic. Even in this ground breaking climax it is constantly interrupted by Treebeard, the character that personifies the slowness of the rest of the film. Also the attempted romance between Viggo Mortenson and Liv Tyler's characters seems just to be in this film because Liv complained of lack of screen time because there certainly doesn't seem any need for her character in this instalment apart from this pointless sub-plot.

The creation of Gollum was simply brilliant and deserved the Oscar but I was pleased to see this film ignored in the other categories. One thing is for sure, I will not look forward to the next sequel as much as I did this one, following this film's disappointment.
Is It Magical?
Spoilers herein.

One hallmark of science fiction and fantasy is the creation of a world that includes to some extent the creator. That way, instead of inhabitants bumping around in a world, we get a complex set of interactions: some as a result of the world affecting the players, and some the other way around. Tolkien's work fits well within this tradition, in fact why it was so successful I think is the thoroughness with which he developed the magical laws. The reader not only understood that the magic had power, but had some notion of how it worked. That allowed the reader to exist both at the level of Frodo and the magical level of the wizards and demigods.

That's the soul of the books; not any episode, not any `theme' about brotherhood or hope or any such sodapop.

The first film of this saga impressed purely with the sheer ambition of the project, and we now have the second one. It is fun watching, just like `Speed' was in its day, but I'm unhappy with some of the choices that were made.

With film, there are specific ways to span the two worlds, ways which a few filmmakers have been exploiting for a long time -- long enough for some of them to appear in mainstream films. Almost none of those techniques were used here. Nearly all the choices were ones that plant us firmly in the world of the inhabitants who are buffeted by the world's forces just like we as people are. This literally boils all the magic out of the books, and we are left with `Braveheart' meets `The Black Cauldron' except slightly more expensively done and with some monsters.

The travesty is not that these choices were made to protect the investment in the films, but that so many Tolkien enthusiasts miss the point and argue about whether elves appear in the wrong scenes.

Further to the philosophy of the film: the manner in which the characters deal with the camera is roughly equivalent to the relationship the readers' imaginative `eye' has with the text. In addition to being cast at the level of the adventures and not the magic, there are other problems. That stance is inconsistent -- the greatest offense comes in the middle of the great battle. Until then, the players have been dead serious. They've been in their lives, not characters in a movie that wink at us. But all of a sudden, we have a barrage of winking: the `surfing' move, the dwarf-tossing joke, the 007-like standoff on the bridge. All of these depend on us knowing it is a movie and the characters leaving their lives and knowingly entering the movie.

Other problems with that stance. The various technologies used each have their own way the camera must be used. The two perspectives that impressed me were the handling of the fight between Gandolf and the balrog and the relationship we have with Gollum. In the first, our eye IS magical as it swoops around sometimes watching the fight, sometimes IN the fight. This use of the camera is new -- I noticed it also last week in `Treasure Planet' when encountering the black hole. But it entirely different than the soliloquies Gollum (and several others) have. Under the guise of talking to themselves, they are really talking to us, nearly looking at the camera. All of the camera engagement is from Bergman, and is his well-studied solution to the Shakespearean stage technique.

I liked both of these, but they are inconsistent with each other, inconsistent with Tolkien's magic as noted and inconsistent with the movieland jokes. But there are even more diverse perspectives. We have the helicopter shots (again from `Braveheart'), and a few similar shots of virtual sets. We could have had some new movement (like the balrog fight), but we are supposed to recall similar shots.

And then there are the Ents, animation straight out of `Poltergeist.' It is another set of views determined by the technology rather the story. Shifting among the bluescreen of hobbits in Ents, to the humanistic CGI Gollum, to the video game animation of the battle was jarring. We never were in Tolkien's world, just browsing through the aisles of your video store, shifting about.

LOTR was written with specific notions of reading in mind and is bound to them. But `Dune' was not. Imagine a film of Dune with this budget and Lynch's originality instead of Jackson's `me-too-isms.' Now that would be cool.

Ted's Evaluation -- 3 of 4: Worth watching.
An excellent addition to the series
Vote: 8.8 (rounded up to 9)

The Lord of the Rings: The Two Towers is an amazing movie that any Tolkien fan, adventure fan, or war fan should see. Acting: Elijah Wood as Frodo is amazing. He really captures the pain that the poor little hobbit must be going through. Ian McKellen as Gandalf is excellent,even though he has a much smaller role than in FOTR. Viggo Mortenson as Aragorn was another good choice and you could really experience what he must be going through. John Rys-Davies was really good as Gimli, but his jokes got really tiring before the end. Sean Astin as Sam fit the description of good old Sam well and also acted out the character perfectly. Bernard Hill as Theoden, Brad Dourif as Grima, Miranda Otto as Eowyn, Karl Urban as Eomer, David Wenham as Faramir and Liv Tyler as Arwen were all excellent actors. Gollum was really amazing. Andy Serkis deserves some award, for the perfect cat coughing up fur ball voice for Gollum, and kudos to the design team who made the motion capture suit. I wish we could have seen more of Christopher Lee as he is a superb actor. Orlando Bloom as Legolas, on the other hand, sucked. He had absolutely no emotion and if it wasn't for his fighting scenes then the character would have been totally wasted. Dominic Monaghan as Merry and Billy Boyd as Pippin were also good actors. Directing: Peter Jackson did another excellent job in this movie, though as i said in my FOTR review, his career as a horror movie maker hurt him. The scene where all the dead Orc bodies were piled up and one of their heads was on a pole wasn't really necessary (and then Gimli was going through the burning remains (hmmmm orc barbecue), and there was another stupid scene were you saw the Uruks being born out of mud sacs. Screenplay: Good, the only scene they needed was the one in the extended edition of the flashback between Faramir, Boromir and Denethor. That scene was really necessary to describe Faramirs character Special Effects: Too amazing for words. The Battle of Helms Deep was so perfect you couldn't tell what was CGI and what wasn't. Gollum didn't look like a fake. The battle of Isengard was also well done and when the ents broke the dam and Isengard was flooded i was reminded of a disaster flick. The special effects alone were worth the price of admission. Other: Again the cinematography was beautiful and just jaw-dropping gorgeous. Makes me really want to visit New Zealand just to see the places they filmed. Rohan, and Edoras especially were beautiful. Howard Shore's score was excellent. The Rohan theme song fit the beautiful scenery perfectly. Overall: An excellent movie worth seeing. If the filmmakers weren't so stuck up about themselves this movie would be even better.
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