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The Lord of the Rings: The Return of the King
USA, New Zealand, Germany
Drama, Action, Adventure, Fantasy
IMDB rating:
Peter Jackson
Noel Appleby as Everard Proudfoot
Sean Astin as Sam
David Aston as Gondorian Soldier 3
John Bach as Madril
Sean Bean as Boromir
Cate Blanchett as Galadriel
Orlando Bloom as Legolas
Billy Boyd as Pippin
Sadwyn Brophy as Eldarion
Marton Csokas as Celeborn
Richard Edge as Gondorian Soldier 1
Jason Fitch as Uruk 2
Storyline: While Frodo & Sam continue to approach Mount Doom to destroy the One Ring, unaware of the path Gollum is leading them, the former Fellowship aid Rohan & Gondor in a great battle in the Pelennor Fields, Minas Tirith and the Black Gates as Sauron wages his last war against Middle-Earth.
Type Resolution File Size Codec Bitrate Format
1080p 1920x1080 px 19109 Mb mpeg4 10151 Kbps mp4 Download
HQ DVD-rip 640x272 px 2090 Mb mpeg4 696 Kbps avi Download
iPhone 640x360 px 2257 Mb h264 1569 Kbps mp4 Download
The royal discipline of novel adaptation for motion picture exhibitions - Part 3
After convincing even the harshest international critics with the second film "The Two Towers" (2002) that a motion picture adaptation of John Roland Reuel Tolkien's novel "The Lord of the Rings" is possible and had been in competent, talented minds, hearts and hands under the banner of New Zealand-based production company WingNut Films, with newly build Film Studios at Stone Street, Wellington, and the independent distributing arm New Line Cinema, an affiliate of Warner Bros. Pictures, Director Peter Jackson and his closest collaborator after the writer partners Philippa Boyens and the director's wife Fran Walsh; Editor Jamie Selkirk, left "The Two Towers" editor Michael Horton's approach of inter-cutting up to 4 continuous character-driven story-lines within 10 minutes of screen-time behind, to make "The Lord of the Rings: The Return of The King" (2003) the calmly-received, matured motion picture presentation, when the people of New Zealand got the favor before everyone else to gather at the world premiere of the magnum opus' conclusion on December 1st 2003 in Wellington, New Zealand before a two-weeks public relations tour led Director Peter Jackson, Producer Barrie M. Osborne, Executive Producer Mark Ordesky and the main cast surrounding Viggo Mortensen as Aragorn, Liv Tyler as Arwen, Elijah Wood as Frodo, Sean Astin as Sam and Ian McKellen as Gandalf to name a few carry "The Return of the King" motion picture around the world from Las Angeles, California over to Berlin, Germany, followed by a London, England press-screening on December 11th 2003 to finish the pre-release-screener tour in New York City, just two days before the U.S. domestic release with the first public midnight screening on Wednesday, December 17th 2003 took place, igniting a Academy-Award race over 84 days to February 29th 2004, when Best Picture presenter director/producer Steven Spielberg states, "It's a clean sweep." with "The Lord of the Rings: The Return of The King" winning 11 out of 11 Academy-Award categories.

"The Lord of the Rings: The Return of the King", despite the editorial of the "The Two Towers", lingers in calmer and longer shots accessible to the audience accompanied by power-withholding score of initial composer Howard Shore; furthermore focuses for the first hour of the editorial (extended version) on the characters' emotional state towards each other since setting out from Rivendell in the first volume "The Fellowship of the Ring". The connecting scenes flow as a river of emotions, where the spectator gets the time to reminiscence on the previous happenings of the fast-tracked volume two "The Two Towers". Director Peter Jackson made sure that he had all the coverage needed to prepared for the resolving editorial of "The Return of the King"; Extreme-close-ups on the one ring in Frodo's hands, Aragorn receiving the re-forged sword Andruil from Elrond's hands, when the war-battling machinery on the plains of Gondor continues and the exposed character of Denethor, steward of Gondor by icy drowned-in-sorrow performing actor John Noble, who sends his last surviving son Faramir, portrayed by David Wenham, to retake the fallen city of Osgiliath under the voice of actor Billy Boyd as Pippin, singing "Home is behind, The World ahead" before Gandalf explains the passage of life, death to afterlife, under an army of storming Orcs and Trolls sweeping the white city of Minas Tirith accelerates the action factor of the picture.

Director Peter Jackson and Editor Jamie Selkirk made sure that within the Finale Furioso, the Battle of Minas Tirith sequence which last up to a 100 minutes of screen time in the extended version of the "The Lord of the Rings" film adaptation, moments of characteristic reflections got into the picture with the man-disguising character of Eowyn, performed by Miranda Otto, taking the character of Hobbit Merry on her horseback into battle on the plains of Gondor with CGI-striking shot of thousands of Rohan horsemen crashing into a pulp of orc soldiers, before a hopelessly overtaken character of King Theoden, portrayed in last breath taking Bernhard Hill, needs to realize that Eowyn has been the one being able to kill the Witchking of Angmar, the ring-wraith of the highest order; all ingredients of high-end quality entertainment and emotional arrest gets a fulminant resolution, when the character of Sam decides to pick up ring-possessed and fading Frodo Baggins from sulfur-grounds at the foot of Mount Doom in the land of Mordor to bring the ring bearer on his back to Gollum-assaulting spot of failed opportunity to throw the ring himself into the fire of where it came from. It is then relentless co-incidental obsession of all lost and found character of Smeagol aka Gollum, who tumbles in pure bliss of the cliff to become one with the ring in the lava, which will renew the world through crashing splintering particles of exploded tower of Sauron towards the 4th age of Middle Earth.

The director, ensemble cast, all production crew and the spectacle-receiving international audiences around the world took a seemingly deep breath, when after a seven hours of extended version screen time the reunion "The Fellowship of the Ring" comes to pass and the relentless focused emotional highly identifiable carrier of 8 from 9 companions share the bliss of surviving the impossible; with glimpses of recalling the death of the character of Boromir, brought to life by actor Sean Bean in several flashbacks since the Uruk-Kai brawling forest action sequence, when Director Peter Jackson reminiscences in April 2004 by capturing an additional shot of a dropping skull for the City-of-the-Dead sequence in a still worked on extended version of "The Lord of the Rings: The Return of the King" at an remote back lot stage at Stone Street Studios saying into the documentary-camera, "This how you do it, you win the Academy Award for Best Director without even having capture the last shot."

© 2017 Felix Alexander Dausend (Cinemajesty Entertainments LLC)
A Breathtaking Conclusion To Cinema`s Greatest Fantasy Epic
It takes a miracle for me to go the cinema since smoking is banned in cinema chains but Peter Jackson is a miracle worker . How else would he be able to make me forget my filthy and disgusting nicotine addiction ? He made me forget all about cigarettes for three hours with THE TWO TOWERS and I knew that with RETURN OF THE KING he could make me forget all about ciggies for a record breaking three and a half hours . I booked my ticket for Rothesay winter gardens cinema and sat down to be enthralled

!!!!! SPOILERS !!!!!

I do conclude there are some people in the world who can`t see what the fuss is about with the LORD OF THE RINGS trilogy . My parents seem slightly puzzled that their cynical critical son loves LOTR . It`s simply explained , these epic movies aren`t a childish fantasy , they`re like David Lean filming a Shakespeare play , but I do take onboard the criticism that the story structure of the movies can be irritating . FELLOWSHIP is very stop-start while the action intercutting in TTT can be annoying but ROTK has probably the best pace and structure of the three . ROTK starts with a sequence showing Smeagol murdering his friend in order to get the ring . This gives some needed backstory to Gollum . It also sets up its stall that it`s not a family film never mind a " childish fantasy " . In fact I predict that many of the children in Rothesay cinema will be having nightmares tonight due to the scenes with that horrible big spider , it made my skin crawl and the woman sitting next to me was gasping out loud as it prepared to cocoon poor Frodo , you should have seen the Q for the toilet after that scene which tells you how convincing the FX are in this movie , nothing appears CGI : Gollum isn`t computer generated he`s a living being and Peter Jackson doesn`t use camera trickery for fight scenes he uses million upon millions of extras . He is David Lean reincarnated . No he is David Lean AND Will Shakespeare reincarnated , look at the way the cast act their parts , it`s like they`re appearing in the greatest play of the bard . Their performances are superlative

There are some flaws . I did mention the script gives background to Smeagol but the script - Like the other films in the trilogy - is somewhat uneven . John Noble`s character Denethor seems somewhat underwritten and I wasn`t sure what his motivation was . Also as everyone else has mentioned the false endings are very irritating . When Aragorn is crowned king and the screen faded to black the audience reached for their Jackets and bags then we`re shown another scene lasting several minutes which faded to a blaze of music. Everyone reached for their bags and jackets , then another scene which... It would have been better to have seen Aragorn crowned King and then seen Frodo sailing into the distance but I guess after the screenwriters have irritated us with the abrupt endings of the first two movies it`s somewhat traditional to irritate with the end of the trilogy . These faults I can forgive but there is an unforgivable cop out of having an army of the undead charging to save the race of men from the Orc army at the end . It didn`t ruin the movie for me but it just seems so lazy and contrived which stopped me from thinking it was the best movie in the trilogy , it`s not , FELLOWSHIP is . But still this is a masterpiece of cinema which like cigarettes left me breathless and satisfied and hopefully we`ll see it sweep the Oscar ceremony at last

As for the Oscars themselves I`m puzzled about a couple of things . Howard Shore`s score is beautiful and haunting but it`s far from original with much of the music in ROTK re-used from FELLOWSHIP ( The Gondor theme ) and TTT ( The Celtic music ) while the omissions are even more surprising . No nominations for any of the actors ! I know that all the great performances would cancel each other out but it`s shameful Andy Serkis wasn`t nominated as best supporting actor . Can anyone name a more unlikable baddie than Gollum in recent cinema ? Me neither and no nomination for cinematography ! I`ve no idea how John Lesnie`s camera was able to keep up with the action and he deserved at least a nomination so maybe we`ll see the third instalment robbed on Oscar night like FELLOWSHIP was . Even if it is that doesn`t stop me and millions of other film fans from recognising the genuis of Peter Jackson . I bow to you Sir
Return of the King does Deserve #4 status
In an era when filmmakers of mediocre ability can get financing to do grunge slash thrillers or sex-pie college comedies of Farrelly-manque nonsense, this poll serves to illustrate the gratitude of fans everywhere at being served such a luscious 9 course meal of a film. Or 3 of them. At the Director's own insistence, the writing, the production, the editing, the art design, the sound planning, the actors/characters, the costumes, the music, the effects. Everything was delivered until the limits almost gave.

None of these and ALL of them are the stars.

To say this vote reflects only appreciation of the special effects is to disingenuously shoulder aside the leadership and dedication and commitment from ALL teams required to produce not just one but all three films to such incredible standards of consistency to the books, while pleasing worldwide fans, and new audiences, as well as all ages.

Schindler's List was not Spielberg's story by authorship any more than Tolkien's was Jackson's, both borrowed a cultural event, one historical, one literary, story to exploit on the big screen using the appropriate talent. That's what filmmakers do. And if they're smart, they get the right material. I don't think Spielberg could have delivered LOTR. But I have a funny feeling PJ might have come close to SL. Both proved their genius by traveling outside their closest strength positions and moved to new arenas. Both borrowed from past projects and knowledge of film to create the dramatic impacts they engineered in those films.You cannot say because one was historically based then it was by that ilk superior.

Schindler's List may be the most sociologically impactful movie ever made, but it was not the best. There was exploitation, and the Nazi's character was colored fancifully, and Schindler was not the spitting image of Liam Neesam, etc etc. You can read history without the women prostituting themselves and children lying in outhouse filth. Spielberg made the same kinds of decisions making that movie Jackson did making rings, but each used "special effects" of a different kind. Did Naziism happen in black and white?

That anyone would seek to disprove Rings popularity by citing the more proximate (and non-disputed) sociological consciousness raised by SL is gaging on the wrong scale. I would not pay to see SL again, once as enough. But I've paid a dozen times (X3)and for the extended DVD's to relive Tolkien's world, because like those characters "I believe there's something good in this world worth fighting for". And Jackson's world gives me and others a place to go to encourage us. The films are about Hope.

Wasn't THAT the message from Schindler as well?
Beautifully realized, but it has eight separate endings
***Spoilers herein***

That's right, this film could have ended eight separate times, but it chose to keep going. It's one of those movies where you think it's going to end, but then suddenly there's another scene. I would rather have had fewer and shorter Hobbit close-ups and Family Ties-style hugging, and more Saruman and Treebeard. The film skips Saruman's downfall, and he's relegated to a single sentence by Gandalf. After all the crap that Saruman pulled, I really wanted to see how broken he was after Isengard's destruction by the Ents. Speaking of Ents, Treebeard is in the film for about a minute. It would have been nice to see he and Gandalf gloating over Saruman's downfall. I guess there was only so much they could fit into three hours.

The three films are a tremendous effort. There are breathtaking vistas, panoramas, and sweeping pans whisking you up and down Minas Tirith and Mordor, and the battle scenes are nothing short of remarkable. In one scene, Legolas swings up the side of an oliphant and quickly kills everyone riding it, then fells the huge beast with a single arrow, all while the view is rapidly rotating around and around the maddened oliphant. It is a stunning special effect.

One problem I had with these films is the realism. In both Minas Tirith and Rohan, there are absolutely no farms, livestock, fields, wagons, crops, markets, trees, or any of the other things that a city requires in order to provide for its people. Watch the movie carefully. See a crop of corn anywhere, or even one single sheep? Where did they get the material for those clothes?

There are two scenes with Shelob that are breathtaking in their simple horror: there is a full view of Shelob, launching herself onto the little Hobbit with the tenacity of a rabid dog. In the theater, everyone gasped at that scene, because it drove home the size of Shelob against the size of Sam. The second one is where Frodo is by himself, on the path, and Shelob looms soundlessly over him. It is creepy to watch.

I'm disappointed by the truncated friendly rivalry between Legolas and Gimli. In the book there was a rich humor in their odd-couple friendship, but it isn't really explored in the films. Then again, there are so many characters that the film couldn't possibly explore them all. Eowyn's story seems particularly abrupt; the tender moment with her dying father is pretty much the last we see of her. I don't remember seeing her at the wedding. The moment she slays the Nazgul reminded me of St. George and the dragon. Also, Faramir's story ends abruptly too. And what about the white tree and the restorative quality of kingsfoil? It was those missing details that could have added more humanity to the film.

There could not have been a better Gandalf than Ian McKellen. He has just the right kind of wise, sprightly, smart-ass attitude that the character has in the book. He's fantastic during battle scenes, whirling around, running back and forth, telling people not to give up, conking mad steward Denethor on the head with his staff. I understand that Peter Jackson wants to make the Hobbit as well, and if so, it will be nice to see Ian McKellen introducing the dwarves one-by-one to Bilbo Baggins at Bag End.

Frodo and Sam's trek through Mordor moves too quickly. One moment they are in the orc's tower, and the next they are at Mount Doom. How did they get there so fast? Gollum's descent into the volcano was perfect. In a final demonstration of just how precious the ring really was to him, he keeps it out of the flame until the last possible moment as he slowly sinks into the lava, deliriously happy at having the ring again as he ignores the lava that eats him alive.

This film isn't perfect, but it's so faithful to the book and so carefully crafted that it's easy to overlook the faults and enjoy the breathtaking scenery.
Perfect viewing (maybe at 11.00 at night!!!)
STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs

In the concluding adaptation of Tolkien's trilogy,Frodo (Elijah Wood) and Sam (Sean Astin) head with Gollum to Mount Doom to dispose of the troublesome ring,whilst the rest of the gang brace themselves for the final battle for Middle Earth.

Having put my achy,fidgety,restless bum through the ordeal of the first two movies,I found it only fitting to watch the concluding part (which would be the longest part at a whopping 201 minutes!!!)Luckily,I happened to be watching this one on DVD as opposed to at the cinema and was therefore free to press the pause button at any moment I deemed appropriate in order to take a break and watch it entirely at my own pace.I would certainly only deem it advisable to watch this at a cinema that has a break for refreshments halfway through.

I think my school of thought all along really has been that of a fair few others.If you were a fan of the books,then these movies will probably be the equivalent of a wet dream come to life.If you have never read any of the books,however,it's all likely to emerge as a big overblown,self indulgent affair,as I think sadly has been the case with me.The ending especially here is a real nerve grater,as it appears to come again and again after over three hours of patient sitting and observing,only to keep droning on that bit longer.Given the heavy handedness of it all anyway,it just makes for even more of a labourious experience.

In the movie's favour,it is a bit more emotionally involving than the last two and manages to draw you in to the plot a bit more,although that may just be because you know a bit more what to expect and so you've resigned yourself to it that bit more.The battle scenes and cinematography in general are certainly nothing to sniff at either.This is,giving away from some laughable and not entirely convincing acting indeed.But,given how little the story had already engrossed me to this point,it's all a bit too little too late.

It may have reached #4 on the IMDB top 100,but given I don't know a 'hobbit from a racehorse',it's best use in my favour would seem to be as the ultimate late-night cure for insomnia.**

Must watch!
Let me tell to whoever is viewing this review. This is a MUST see movie series. But, The Return of the King stood out the most to me. Perfect beginning, perfect halfway through, and perfect ending which I will not say. This movie has been out since 2003 and if you haven't seen it by now, it's never to late.

For Frodo!
I knew it would be good, but this takes the entire cake. Peter Jackson has absolutely outdone himself with this masterpiece. True, there are a few tiny holes in the plot, but they are easily overlooked. Even if you're not a huge fan of Tolkien, you should really make an attempt to see this movie. I wasn't a fan of the books, but Jackson's movies have inspired me to pick them up and give them all a good read. Can't wait for the DVD. Let's see if Jackson does as good a job with The Hobbit.
The first great cinematic masterpiece of the twenty-first century.
I am, I admit, an unlikely convert to the religion of Tolkienism. I have never read the books, having, I thought, been put off them for life by the sort of obsessive freaks who read them when I was at school. (One classmate, then aged about sixteen, told me with great pride that he had read the whole of 'The Lord of the Rings' at least fifty times). I also have never been a great admirer of the 'sword and sorcery' school of fantasy writing or film-making; indeed, some of this genre (mostly those starring the current governor of California) struck me as being among the worst films ever made. I was, however, persuaded to see the first in the trilogy, 'The Fellowship of the Ring', by its overwhelmingly positive reception from the critics, and was quickly won over by the scope of Peter Jackson's vision. I had been expecting some twee tale of elves, gnomes and fairies; what I experienced was a genuine epic (in the true sense of that overused word). Ever since December 2001, I have been waiting for parts two and three of the trilogy to be released. Neither has disappointed me. The story of 'The Lord of the Rings' is too complex to be told in a review such as this. Suffice it to say that it revolves around a magic ring which will give its possessor immense power. The power-hungry Dark Lord Sauron (a figure who is never actually seen on screen) desires to obtain the ring in order to dominate Middle Earth. His enemies, led by the wizard Gandalf, are seeking to destroy the ring, which can only be used for evil purposes, not for good. At the beginning of the final part of the trilogy, Sauron's forces are massing for an attack on the kingdom of Gondor. The film relates the story of the conflict which follows, and this leads to some of the most spectacular battle sequences I have seen, even more impressive than those in 'The Two Towers'. Inevitably, the film makes much use of computer-generated effects, but unlike many films dominated by special effects, plot and character are not neglected. The acting is uniformly good, and in some cases outstanding. Special mentions must also go to the camera-work, which made the best possible use of the magnificent New Zealand scenery, and to Howard Shore's memorable musical score. So, looking forward to the Oscar ceremony, I have no doubt that this should be the best film and that Peter Jackson, who has amply fulfilled the promise shown in the excellent 'Heavenly Creatures', should be best director. Best Actor? I would find it difficult to decide between the competing claims of Sir Ian McKellen, who brings wisdom, kindliness and the required touch of steel to his portrait of Gandalf, and of Elijah Wood, who plays the brave and resourceful hobbit Frodo to whom falls the dangerous task of ensuring the ring's destruction. Best Supporting Actor? My own nomination would be for Sean Astin, as Frodo's loyal companion Sam, but several others might have claims, notably Viggo Mortensen or Bernard Hill. Is this the best movie ever made, as some of its admirers have claimed? Possibly not- that is, after all, a very large claim to make. I have no doubt, however, that the trilogy as a whole is the first great cinematic masterpiece of the twenty-first century. It has certainly inspired me to start reading Tolkien's original novels. 10/10.
A monumental film
Feeling weary and battle-worn, I have just staggered out of the cinema after three and a half hours of special effects creatures fighting other special effects creatures. I had taken refreshments but barely touched them - probably because the film I had watched is one of the most mesmerising, evocative, inspiring, and awesome I have witnessed of any big adventure epic. Not to mention superb ensemble acting, moods that shift effortlessly between mediaeval battles of colossal proportions and convincing bloodshed, beauty and wonderment, fantastic natural and artificial landscapes and cityscapes, touches of humour, well-paced dramatic tension, and human bonding that is moving enough to just let you dry your eyes as the unassuming credits flash by.

Return of the King is the greatest of the Tolkien trilogy by New Zealand director Peter Jackson. Although I've seen the other two and read the book, I felt it would also stand alone well enough for people who hadn't done either.

The storytelling is much more professional that the first one - which maybe laboured to introduce so much information - or the second one - which has little let up from the tension of long battle scenes. In Return of the King, there is an emotional sting at the start, as we watch the transformation of Gollum from warm, fun-loving guy to murderous, mutated wretch. The movie then moves deftly between different segments of the story - the sadness of the lovely soft-focus Liv Tyler as fated Arwen whose travails and woman's love succeeds in having the Sword that was Broken mended, the comradeship of Sam and Frodo (Sean Astin & Elijah Wood) that is tested to the limits, the strong commanding presence of Gandalf (Ian McKellen) who keeps an eye on things whilst turning in an Oscar-worthy performance, the ingenious and very varied battle scenes, and the mythical cities of that rise out of the screen and provide key plot elements.

This is a fairy story of human endeavour, the defeating of power cliques and the triumph of the human spirit that could almost be compared to Wagner's Gotterdammerung. It is a fairy story without any sugary sweetness, a fairy story the likes of which hasn't been told so well before, and is even unlikely to be done so well in the future. The haunting scream of the Nasgul stays with you, the physical attractions are not airbrushed, and the battles are about as far from pantomime characters waving wooden swords as you can get. The ingenious monsters keep you on the edge of your seat. The whole narrative maintains the spirit (if not archival, detailed accuracy) of the original and makes you want to read the book (or read the book again!)

The worst I can say about it is that it is maybe a tad long - but not that you'd notice . . .
This Christmas The Journey
The Fellowship makes its final path through war and wilderness. The story comes to an 11 academy award winning climax. The movie has a stunning power unlike the other two. Peter Jackson uses incredible insight into sstories and themes and character study. The Return of the King culminates its three story lines unimaginably. As the characters finish what is a three year journey you see exactly why Peter Jackson made the fellowship and the two towers because he wanted to arrive at this incredible finale to what is a career trilogy. I enjoyed this film for two main reasons action and intimacy. The action is stunningly realized by weta workshop. But even though the action is great at the center of it is what is a wonderfully intimate story. As Frodo and Sam make their way to Mount Doom we really get to see them both rise to the occasion. We see the real power of friendship as Gollum continues to try to break it. When Aragorn and Gandalf arrive at over 600.000 orcs and yet they stand as strong as they were at Helm's Deep. I become more amazed as the tale goes on we see how difficult and at what price will either side win. The feelings of community within us. This is a classic and whoever watches will not be disappointed. 10/10
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