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The Good, the Bad and the Ugly
Year:
1966
Country:
USA, Italy, Spain, West Germany
Genre:
Action, Adventure, Western
IMDB rating:
8.9
Director:
Sergio Leone
Eli Wallach as Tuco
Lee Van Cleef as Sentenza
Aldo Giuffrè as Alcoholic Union Captain
Luigi Pistilli as Father Pablo Ramirez
Enzo Petito as Storekeeper
Claudio Scarchilli as Mexican peon
John Bartha as Sheriff (as John Bartho)
Antonio Casale as Jackson / Bill Carson
Sandro Scarchilli as Mexican peon
Benito Stefanelli as Member of Angel Eyes' Gang
Angelo Novi as Monk
Storyline: Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know the location of the gold. All he needs is for the two to ...
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Reviews
the best western, ever
often overlooked or belittled by so-called "film critics", GBU is a monumental influential masterpiece. everything works: music, photography, acting, dialogue, directing, etc. the cinematography and music stand out as legendary film history. who can forget the Morricone "whistles". or the harsh landscape united with a sweaty dirty super close-up of an unknown Italian actor. there's just too much to say about this landmark movie. what a combo: THE "spaghetti western", directed by an Italian, starring american leads, shot in Spain, and taking place in the barren American west. wow.remember, there's two kinds of people in this world, my friend, those who appreciate a masterpiece like GBU, and those who don't know much 'bout great movies!!!!!!!!
1999-01-24
The best of the three and the best western ever.....
I spent all day watching all three movies and this one beats the other two and near every other western out there. (with a few exceptions...) Usually, Spaghetti westerns annoy me do to the cheesy noises, unrealistic shooting, and lots of bore. But this movie was different. Unlike the other two, this movie had lots of simple comedy. (Most from Eli Wallach's silliness and stupidity as Tuco adds a perfect sense of comic relief and Clint Eastwood's slickness and intelligence as Blondie makes him so.... cool. Lee Van Cleef does a perfect job as the villain giving a sinister performance. Instead of the fact that the slow parts in the first two movies were boring, this movie took advantage of long shots for suspense and to get a sense of things which is a great directing tool. (Kudos to Sergio Leone) I can surely see why this is #4 on the IMDb top 250. It feels more realistic than the other two movies. No whistling noises when things fall, suspenseful music(and very famous), stellar acting, and nice shoot outs. One of my favorite Clint Eastwood movies and one of my favorite westerns ever! A+. 10/10 Watch this one right away. (I recommend watching the new edition DVDs, the white cases, because the quality is better, the sound is great, and newer, and the dubbing is near impossible to spot.) Don't miss this or you will miss one of the greatest, classic movies ever made.
2007-09-08
Fantastic, legendary masterpiece
In New Mexico Territory circa 1862, a mysterious bounty-killer known as "Blondie" (Clint Eastwood) and a shifty Mexican bandit, Tuco Ramirez (Eli Wallach), run a con job wherein Blondie turns Tuco in for money and then rescues him, splitting the reward money. However, the two engage in numerous double-crossings against each other, until stumbling across a dying Confederate soldier (Antonio Casale) who gives each man a clue to the location of a hidden cache of gold. Tuco and Blondie re-form their alliance to find the gold, only to find that Angel Eyes (Lee Van Cleef), a ruthless hired gun, is already after the gold. The three men form a frequently-changing series of alliances to get at the gold, and they must avoid the Union and Confederate armies operating in the region.

"The Good, the Bad and the Ugly" is a landmark film in many respects. Its cultural influence is nigh-impossible to overstate, with its iconic musical score by Ennio Morricone, three memorably amoral protagonists, the close-ups, vast landscapes, and the title itself, all of which are instantly recognizable icons of cinema, having been referenced and replicated time and again in movies, TV shows, and even commercials. It is Sergio Leone's first truly great film, a transition from the low-budget Spaghetti Westerns ("A Fistful of Dollars", "For a Few Dollars More") to the big budget, artistic epics that Leone would make for the rest of his career ("Once Upon a Time in the West/America"). It is also a film of utmost importance to me; after watching this movie as an eleven year old, admiring its wonderfully quirky characters, style, music, and breath-taking cinematography, I realized for the first time that I wanted to devote my life to films, be it watching them, writing on them, or hopefully making them.

"The Good, the Bad and the Ugly" is a full-blown epic, and one with an interesting subtext. We see three completely amoral characters whose crimes - robbery, murder, and racketeering - are minor compared to the brutal carnage we see the Civil War inflicting. Taking place during the little-known Sibley Campaign in New Mexico, the film is not a documentary depiction of the war, but an allegorical one. This was the first total war, and Leone uses it as a metaphor for conflict in general, with faceless mass slaughter inflicted by rifles, machine guns, and artillery. Blondie, Tuco, and Angel Eyes' transgressions are minor compared to a brutal, Auschwitz-like concentration camp, spies being executed in the streets, towns being shelled, and vicious, stalemated trench warfare over a "flyspeck" of a bridge. Even our amoral heroes have amounts of humanity which set them apart from the machine-like slaughter around them; Blondie saves Tuco's life and comforts dying soldiers of both sides; Tuco struggles with a mixture of affection and hatred for Blondie, and his troubled relationship with his brother (Luigi Pistilli), and even Angel Eyes shows disgust at the carnage he sees.

The movie is extremely episodic, the plot only secondary to the adventures of these characters. Leone's wonderful direction gives the film a fairy-tale quality, with an appearance of realism while being fanciful and at times almost surreal. The movie contains extremely memorable set pieces: the lengthy opening, with three gunmen going after Tuco; the "carriage of the spirits"; the prison camp; a shootout in a town under shellfire; an epic Civil War battle; Tuco running excitedly through the cemetery; and, of course, the unforgettable climactic "triello". Tonino Delli Colli's cinematography is simply breath-taking, with desert landscapes as impressive as David Lean's films contrasting with the most extreme close-ups imaginable. Carlo Simi's set designs, from shelled-out towns to prison camps to the cemetery, is breath-taking. And Ennio Morricone's score is, for lack of a better word, one of the most amazing ever written, the instantly recognizable theme tune and other brilliant pieces creating the movie's indescribable atmosphere.

The cast creates unforgettably iconic characters. Clint Eastwood is back as the Man With No Name, here much more human in this film despite retaining his cool, detached, shifty nature. Lee Van Cleef, who had played a likable character in Leone's previous film, now plays one of the most memorably evil characters ever. Aldo Giuffre, Antonio Casas, and Luigi Pistilli are effective in supporting roles, and Leone's usual stock cast - Mario Brega, Benito Stefanelli, Al Muloch, Aldo Sambrell, and many others - create their own iconography. But it's Eli Wallach who steals the show, as the scenery chewing Tuco, a shifty, double-crossing, foul-mouthed bandit who manages to be the most likable and human of the cast despite his faults; truly, one of the most memorable film characters ever.

"The Good, the Bad and the Ugly" is one of the most well-known and influential movies ever made, and with good reason. In terms of style, it is an absolute triumph, being one of the most amazingly made movies ever made. Those only familiar with the movie for its cast, its score, or peripherally through its iconic stature, are missing out on one of the most breath-taking cinematic experiences ever. Thank you, Sergio Leone.

9/10
2007-07-10
The King of Cool
On a partial first viewing, I didn't like "The Good, the Bad and the Ugly." I thought it was a slow, tedious story about a bunch of unpleasant jerk characters involved in a bog-standard conflict over money. It all seemed very macho and self-consciously cool, and it had obviously inspired all the overrated macho directors I don't like in my own generation - Tarantino, for example, and Robert Rodriguez. In short, I was unimpressed.

Years later, I gave the film a second shot, watching it all the way through this time. I loved it. What had changed?

For one thing, I took more notice of the technical side of the film. I paid attention to Leone's famous use of close-ups, his selection of memorable character actors, and his wonderful scene-setting. I admired the detailed sets and the sweeping landscapes, the props and the costumes and all those weird, wonderful faces that Leone clearly loved to photograph.

I also got hooked by some of the quieter moments that I had skipped over in my first viewing. One of the most effective scenes involves Eli Wallach's character, Tuco, quarreling with his brother when they meet after they've been apart for years. Their argument is great, emotionally charged stuff, made all the more effective by the suggestion that they really do love and care about each other. It's the kind of sensitive, human scene you never get to see in a Tarantino or Rodriguez movie.

Before I get too fuzzy-wuzzy, I should also like to point out that, on my second viewing, I LOVED all the action, too. Every gunfight is great, in its own way, and they're all a bit different. The greatest of them all is, of course, the final confrontation between the trio, which is accompanied by some of the most rousing music I've ever heard in a film. And hey, there's even a huge Civil War battle to provide a change of pace from all the small-scale action.

Ultimately, "The Good, the Bad and the Ugly" is probably just a potboiler of a film, without too much to say about, for example, the human condition. But what a potboiler! It doesn't have to try to be cool - it simply IS cool. In fact, it probably defined heroic coolness for an entire generation. Eli Wallach's performance, Leone's direction and Morricone's music alone are enough to elevate it to classic status - and the fact that everything else in the movie is great, too, helps elevate it to the level of perhaps the greatest action film ever made.

And to think, I missed all that the first time through...
2006-08-21
The Good the Bad and the BEST
This is the closest thing to perfection, with pure great action, pure story telling and pure acting from visionary director Sergio Leone who has directed the two prequels to The Good The Bad and The Ugly, they are a fistful of Dollars and For a Few Dollars More. With Clint EastWood once again at the helm of the leading role delivers massive knockout performances as '' Blondie'' others in the supporting acting roles are Eli Wallach in the role of Tuco and the late Lee Van Cleef acting Angel Eyes. All of this though wouldn't have been possible without Sergio Leone, the man who set alight the Western frontier of films. Clint EastWood who has also been seen as one of the greatest Western actors of all time.

Nothing could be greater and more pure than to have a top of the world actor and a great visionary director. I just cant get over the acting from Clint and the breath taking action set pieces. In one sentence: Truly worth watching!!!
2007-04-22
Great!
Basically, if you have to see one western, watch this one. From the opening credits, you can tell its going to be a stylish, bloody ride.

What I admire most about this film is the attention to detail. Leone doesn't rush scenes; sometimes we have shots up to five minutes without dialogue.

Tension chews nearly every scene as we observe the eyes and hands of the characters. It's as much a film of greed and civil war, as it is about deception.

The acting is perfect all round. Clint, Wallach and Cleef are all amazing in their roles. They manage to live up to their roles of good, bad and ugly well, but it's not as clear cut as that. The characters in this film are all morally ambiguous and so they should be. At a time like the civil war, even the "good" can be "ugly".

Great direction, superb acting and amazing style. The film is very efficient at telling its story - and the ending is amazing.

Definitely watch this.
2007-04-17
best western
this movie is by far the best western ever made. yes unforgiven is great but it was made after and with the benifit of the latter. this movie was made in 1966 that is 40 years ago. I have watched this movie twenty times and maybe more. It has been a part of my life and I find it to be a great why to kill a rainy afternoon. I see something new almost every time I watch it. this movie changed the way gun movies were made.

Sergio in his wisdom or luck got it right, as they say three is a charm. If you are a fan of horses check out the Arabian that Lee rides in on, best western horse ever except for maybe Beau in True Grit. many forget that the horses are important too. this movie and director should have won the best movie and best director for 1966
2006-08-24
One the greatest, most impressive, interesting, breathtaking, and groundbreaking films of all time
The Good, the Bad, and the Ugly is one of those movies that everyone has heard of but not enough people have seen. It pushed itself rather boldly into pop culture and 44 years after it first hit theaters in Italy, it still gains respect and admiration in the United States.

It's the third part of the Man With No Name Trilogy, and was preceded by Fistful of Dollars and For a Few Dollars More, both of which are very commendable films themselves. All three movies revolve around the titular man, who goes by a different alias in each film, this time being called Blondie. The Good, The Bad, and the Ugly is a prequel to the first two movies, meaning that it is not required to watch them first and this film stands alone fine.

The story begins by introducing us to our three central characters: the violent but childish Tuco (the ugly), the heartless mercenary Angel Eyes (the bad), and the mysterious bounty hunter Blondie (the good). While traveling through the desert, Blondie and Tuco come across a dying man who knows the location of a huge deposit of gold buried in a cemetery. Tuco hears the name of the cemetery and Blondie hears the name of the grave, but neither will tell the other for fear of being double-crossed so they are forced to work together. As they embark on an incredibly journey through 1860s Southern America as it is torn apart by the Civil War, they encounter various obstacles including but not limited to the involvement of Angle Eyes, who also wants the money. The whole thing ends with a heart-pounding standoff at the center of the cemetery in which all three men put their lives on the line.

The story is gripping and genuinely interesting, the actors all put forth outstanding performances, the cinematography is as good as it gets, the music has to be heard to be believed, and the climax is one of the most intense events ever recorded on film. There's no such thing as a perfect movie, but this one comes as close as any will likely get.
2010-04-15
Brutal, brilliant, and one of the best Westerns ever made
A sprawling Western epic that follows the adventures of three gunfighters looking for $200,000 in stolen gold, Sergio Leone's `The Good, the Bad, and the Ugly' is a masterpiece, one that continues to get better and better with each viewing. In a way, it's a morality play, weighing the consequences of good and evil, but it does so in a realistic manner. Sometimes, crime does pay, at least in the short term, and sometimes good does go unrewarded. This film probably signaled the death knell of the traditional John Wayne `White Hat/Black Hat' Western.

The three main characters make the film. Lee Van Cleef (`The Bad') is evil personified. Totally ruthless, he'll do whatever it takes to get what he wants. Clint Eastwood (`The Good') is the Man With No Name, not really `good' in a traditional sense . . . but he has a certain sense of honor and tries to do the right thing. (Watch the scene when he gives a dying Confederate soldier a puff of his cigar - powerful, and it sums up everything that the Man With No Name is all about, without saying a single word.) Eli Wallach (`The Ugly') is Tuco, and he's easily the most complex - if not the best - character in the film. All impulse and rage, Tuco spins wildly throughout the movie, stealing, lying, pretending to be Clint Eastwood's best friend in one scene, trying to kill him in another - Tuco truly represents `the ugly' side of people.

The movie is long, but there's not a wasted scene in the film. Each one slowly lets the film unfold with a certain style and grace, revealing more about each character and what's going on. The pacing is incredible, as is the direction - Sergio Leone manages to build a lot of uncomfortable tension in the film, keeping the film from ever getting predictable. Any typical Western cliché that you can possibly think of is either given a unique twist or utterly destroyed by Leone's masterful storytelling. Of special mention is Ennio Morricone's score, which is absolutely perfect. Two scenes - one in a Union prison camp, one in the climatic gunfight in the cemetery at the end of the film - are amazing on their own, but they become absolutely astonishing with combined with Morricone's powerful score.

This movie is absolutely brilliant. If you haven't seen it yet, I strongly urge to do so. Immediately. (And then, go watch `Unforgiven' . . . in a way, I think that `Unforgiven' is the sequel to `The Good, the Bad, and the Ugly - it's the story of what eventually happened to the Man With No Name.) `The Good, the Bad, and the Ugly' is easily one of the best Westerns ever made. A++
2001-04-16
A revolutionary and exciting Spaghetti Western
This is a bemusing, violent and stylish Western, it's the best Sergio Leone . The film takes part of ¨the man without name¨ trilogy united to ¨For a fistful dollars¨, and ¨ A few dollars more¨.

The movie centers about the ugly (Eli Wallach) , the bad (Lee Van Cleef) and the good (Clint Eastwood) in search for a Confederate treasure buried on a cemetery whose tracks have got the three enemies and is set during American Civil War.

It's too much violent but is neither tiring, nor boring, but entertaining. The film mingles noisy action , impressive battles, shootouts, violence with strong tortures, tongue in cheek, satire and a little bit of humor.

The final showdown between the three contenders is breathtaking.

In spite of the fact the runtime is overlong , nevertheless isn't dull . Direction by Sergio Leone is magnificent. Ennio Morricone musical score is extraordinary , the soundtrack has been imitated and copied by thousand occasions. Morricone's iconic theme music was designed in places to mimic the sound of a howling coyote . Production design by Carlo Simi and cinematography by Tonino Delli Colli is riveting . Shot in the deserts and landscapes of Spain : Burgos and Almeria , with 1,500 Spanish soldiers as extras .

Eli Wallach is very well , as he steals the show , he interprets a humorous and greedy murderous thief , Lee Van Cleef plays a villain and ominous killer and Clint Eastwood makes a dirty and wry 'man without name'.

This quintaessential 'Spaguetti' originated great influence of wide range in Western . It was such a good picture that had a great success. Followed by ¨ Once upon a time in West¨and ¨Duck you sucker¨.

Rating: very nice, above average 8'5/10
2004-07-19
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