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Raging Bull
Drama, Biography, Sport
IMDB rating:
Martin Scorsese
Robert De Niro as Jake La Motta
Cathy Moriarty as Vickie La Motta
Joe Pesci as Joey
Frank Vincent as Salvy
Nicholas Colasanto as Tommy Como
Theresa Saldana as Lenore
Mario Gallo as Mario
Frank Adonis as Patsy
Joseph Bono as Guido
Frank Topham as Toppy
Charles Scorsese as Charlie - Man with Como
Don Dunphy as Himself - Radio Announcer for Dauthuille Fight
Bill Hanrahan as Eddie Eagan
Storyline: When Jake LaMotta steps into a boxing ring and obliterates his opponent, he's a prizefighter. But when he treats his family and friends the same way, he's a ticking time bomb, ready to go off at any moment. Though LaMotta wants his family's love, something always seems to come between them. Perhaps it's his violent bouts of paranoia and jealousy. This kind of rage helped make him a champ, but in real life, he winds up in the ring alone.
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Abravise Characters But It Draws Me Back
Here's a gritty, film noir-type story of real-life former boxing champion Jake LaMotta, a film that has features some memorable aspects to it.

Perhaps most memorable is the physical transformation of lead actor Robert De Niro, who gained somewhere around 50 pounds to play LaMotta at the end of this film. I hope he enjoyed all the food and drink it must have taken to put on that weight!

The story moves well with few, if any, lulls and each fight scene is fairly credible although a little too brief. I'd like to have seen more boxing but it's better than having to sit through the overdone action as we saw in the "Rocky" pictures. The black-and-white photography is excellent in here. I wish more modern-day films were done in black-and-white.

Usually the Hollywood actresses are a lot better looking than the real-life people they portray but that's not the case here with LaMotta's wife, Vicki. Cathy Moriarity doesn't hold a candle to the real "Vicki," who was a knockout, a voluptuous woman feature several times in Playboy magazine. Also, early on in the film Moriarity is supposed to be 15 years old but she looks closer to 35!

Typical of a Martin Scorcese film, too, is the excessive profanity, which certainly dominates this film. Perhaps LaMotta was this crude in real life but between De Niro and his brother, played by Joe Pesci, it's a very foul-mouthed, loud and abrasive family. If you can stand that constant profane assault on your ears, it's still a very watchable movie until the last 20 minutes where LaMotta is pictured as a pathetic clown, getting tossed in jail, resorting to stupid jokes and just uncomfortably sloppy behavior that is not fun to watch.

Despite all the unpleasant parts of this story, I found this to be one of those films that kept getting better with multiple viewings. Hard to figure, but, Scorcese must have done a few things very well for me to keep coming back. The photography alone, is one thing that keeps drawing me back.
A recurring theme in Martin Scorsese's filmography is the clash between professional and private life. In both Goodfellas and Casino, the protagonist's family is eroded by the same criminal connections which initially helped forming it. In Taxi Driver, Travis Bickle's psychosis is fueled by his nocturnal contact with the city's seedy underbelly. The paramedic in Bringing Out the Dead experiences burn-out. In The Departed, the main characters are both undercover, mirroring each other in their daily deception. Shutter Island features a neat subversion, which I won't spoil as it's the movie's main twist.

This biopic of boxer Jake La Motta (De Niro) may be Scorsese's best execution of this theme. La Motta's ferocity propels him to championship, but takes a toll on his life ruining his relationships with his brother (Pesci) and wives - domestic and professional violence appear to feed each other in a terrifying, self-destructive spiral.

Raging Bull is technically exceptional, with stylish black and white cinematography, perfect editing, masterful use of sound. De Niro burns the screen with an incandescent performance - one of the two-three turns which made him a legend as opposed to just a great actor - making his loutish, unsavory character an unsettling, pitiable, tragic figure.

Gritty yet still maintains beautiful artistic illustration (Like most of Scorsese's movies in that period)
The partnership between revolutionary director Martin Scorsese and iconic actor Robert De Niro which spanned for about 20/25 years will forever be remembered by critics and fans as one of the greatest periods for cinematic achievement. A time were both of these legends peaked in their careers. Of course there were other actors involved (Joe Pesci, Frank Vincent, etc) But the two constants of these movies were Scorsese and De Niro. They are credited with making some of the greatest movies of all time IE; Taxi driver, Raging bull, Goodfellas and Casino just to name a few. These movies have received marvellous critical acclaim and continue to be loved even after 30 after some of them were made. They gave us a look at a world most of us had never seen, the underworld of society. They made us feel for characters we wouldn't usually associate with. And they set a standard for their type of movie which hasn't yet been conquered. But as much as I could talk all day about how these two geniuses revolutionised cinema the main concentration of this review will be based on the 1980 movie raging bull. To an outsider given only a vague idea to the story of Raging bull it is just another boxing movie. But if we look deeper into the surface we find that it is much more. It is more than just another rocky movie, it's not about a brain dead boxer who tries hard and wins it has much more deaph than that. The movie tells the story of an emotionally self destructive boxers rise (ish) And fall. It is a study of a man (Jake La Motta played by De Niro) who keeps knocking himself down everywhere he goes in life. A man who we learn more and more about throughout the course of the movie. We see he abuses the women in his life he sees them as slaves not human beings. We see throughout the course of the movie that he ends up despising himself. We see that he will be willing to change himself just for the sake of masculinity something which most men can relate to. The boxing ring is nothing more than a symbolic parallel to his life outside it. it's almost as if he is punishing himself for what he has done in his life. La Motta ends up in a state were he doesn't demand pity but the audience feels sorry for him anyway. Although La Motta is a scumbag we are still interested and relating with the character throughout the 2 hour long movie. Scorsese makes Raging bull a lot more classical with the use of classical music throughout the films gritty tale it gives us a feel of beauty beneath the surface of this man tough guy exterior.

The film won Robert De Niro a best actor in a leading role Oscar although Scorsese's fully deserving best director Oscar went to Robert Redford.
One of De Niro's Most Powerful Performances,
Raging Bull is a great movie with a really well developed storyline and a terrific cast. The movie is mostly a great watch because of Robert De Niro's absolutely outstanding performance, he owns this character from start to finish, delivering an honest, sincere and real role that makes it very clear why he is one of the most successful actors of all time. I honestly don't think it comes near to be being Martin Scorsese's best film, it is very character driven, more so than the majority of his films are, which is fine but it isn't entirely exciting the whole way through, delivering little of the violence I've come to expect from Scorsese. Stunning performances and a superb script, I would recommend Raging Bull to anyone looking for a good sports drama.

A boxer with a huge temper begins to isolate himself from the people around him.

Best Performance: Robert De Niro Worst Performance: Nicholas Colasanto

If you have any recommendations on films/TV series I should watch or review,or any questions to ask me,just tweet me @DillonTheHarris
It really is harder to Stay At the Top than to Reach the Top; just because Life has No Justice.
Whoever is dissatisfied by Raging Bull, I'm sure they watched it with expectations of watching a sports movie, like Rocky. Despite the AFI chose Raging Bull as the #1 sports movie of all time, you can't expect to see the most breathtaking boxing match nor to witness the best crochet of boxing history. Raging Bull can only be classified as a drama/biography. Director Scorsese chose to go with black&white cinematography only to keep the young viewers away from this masterpiece of art. It's not fair to compare Rocky with Raging Bull. Rocky was a populist movie mostly for young viewers, and Raging Bull is a cinematic masterpiece. From a wide point of view, for instance, if you look at one of the Michelangelo's paintings; at first you see a nude woman, if you look longer and deeper you realize that her nudity expresses some thought, if you look continuously and give a life to it in your imagination you discover that the women are not just their bodies. Accordingly, like it is not enough looking once to a painting to understand what opinion does it defend; it is not reasonable and not fair to watch Raging Bull so as to see a sports movie. Also it is not reasonable to see Raging Bull only once. Raging Bull is one movie that, every time you watch it you get a better taste, every time you watch it you discover something new.

Raging Bull taught us that even if you are the best at some skill, even if you are the best of all; you need to create witnesses, admirers and supporters of your skill. It's the only way to reach the top. Moreover, it is harder to stay at the top than to reach the top. Not because someone better than you can defeat you, it's just because of the need to be accepted on every authority; like the Council of Judges, the Media and the Admiration of People. Director Scorsese draws benefit from the hypocrisy of fame. He empowers Raging Bull to make people ask to their conscience if the popular values that people choose can really cherish their values.

In Raging Bull, Jake La Motta was the best boxer of all, but people didn't like him. He was disrespectful, he was uncivilized, he was very ugly, he was arrogant, he was irritable and he didn't care; 'cause he believed himself. Despite the fact that he is the best, everybody disliked him. Soon, he was left alone; and in a very short time he lost everything he possessed. When he opened his eyes back to life, he found himself in prison. The scene that he is punching and butting the wall facing him is one of the most heart rending memorable scenes of the whole cinema history.

At the end, he finally throws in the towel of believing himself, he loses his faith and becomes to learn what he never wanted to learn: The Fame. He starts running his own business at a night club under his name, working as a stand-up comedian at the stage. People laugh at him for the jokes he made out of his memories, the jokes paraphrasing the bitter facts of life; including the very famous joke of the British King Richard-III which he said in the year 1485 just before dying: "A horse, a horse... My kingdom for a horse!". There we understand truly: For every joke there lies a share of a fact underneath.
One of the greatest films I have ever seen, with an even better performance!
I have only seen a handful of Scorsese's films but this is by far the best. The success of the film is largely down to DeNiro's first-class performance as the title boxer, Jake LaMotta. DeNiro had to put on significant weight for the last portion of the film, in which LaMotta degenerates into an overweight, ageing loner performing low-grade comedy in his own sleazy nightclub. This is typical of DeNiro's method acting but DeNiro's performance is so much more than that. His range of emotions in the film is incredible, from jealousy to glory in the ring.

Combined with this is Scorsese's masterful direction of the piece, captured in glorious black and white which gives the film a noir feel at times. Scorsese captures LaMotta's jealousy excellent with slow motion as LaMotta watches his wife kiss and old friend, it is innocent of course but not to LaMotta, whose jealousy and paranoia of the actions of his wife and brother slowly devour him.

The screenplay is also wonderful, being inspired of course by the book from LaMotta himself, but I think the highlight of the film is its final scene, as LaMotta is warming up for a comedy routine and he recites Brando's iconic 'I could've been a contender' speech from On the Waterfront; the irony is incredibly strong.
Brilliant movie, with 1 of the top 5 performances ever by DeNiro
Hard to sum up in words, but much easier than summing up in hand signals Robert DeNiro + Martin Scorsese + Great Story + Brilliant Script = One of the best movies ever.

"Raging Bull" tells the true story of Jake La Motta, an early 1900's boxer who went from champion to bum. The story begins with his rise in the boxing world, where his talent is obvious but equally is his womanizing, anger and paranoia. As he rises to champion, things go well for Jake, but when problems arise his character flaws bring about his downfall.

A must see for true movie lovers. An outstanding performance by DeNiro, even better than his effort in "Analyse This", who famously put on over 70lb for the role for La Motta's later years. Also great performances by Joe Pesci, in his breakthrough role before "Home Alone", and Cathy Moriarty. Outstanding directing by Scorsese, who created the most realistic boxing scenes up until that time, with the black and white effect really adding to the movie. One of the great Hollywood movies.
one of the most powerful movies, ever!
From the story of a one time middle weight champion of the world and his apparent necessity for internal conflict and self destruction, America's greatest director in the history of cinema has carved a masterpiece of a feature, teaming up with the greatest actor of his generation in order to establish what will no doubt go down in history as one of the most powerful films of all time. "Raging Bull", directed by Martin Scorsese and starring Robert deNiro in the brilliant performance that ensured him a well deserved Academy Award, is a raw feature film that will have you stunned at its conclusion and leave you reeling in your theatre, couch or bed until the final credit has finished rolling off the screen.

The film, adapted from another source, revolves around the rise and fall of Jake LaMotta (deNiro), an ambitious middle weight fighter who has struggled for years along with his manager brother (an unforgettable Joe Pesci) to get a shot at the title for the middle weight champion of the world. Frustrated with himself and the life that he's had to lead, LaMotta presents the complex mind of a self destructive man who's inhumanity and self-destructive nature push him away from all the people in the world that love him and ultimately transform him from a prize fighter into an overweight sleaze with nothing but the clothes on his back. From the flawless and gripping boxing scenes to the raw yet accurate portrayal of his abusive habits towards both his brother and wife, "Raging Bull" succeeds on absolutely every level.

DeNiro's performance in the film is unquestionably his finest piece of work in his own personal career, if not throughout the history of cinema altogether. Completely believable as a boxer, he furthermore went on a diet to put on 60 pounds for his scenes situated in the latter half of the film when he has hit rock bottom which is testament to both his dedication and his unparalleled skill of establishing a believable character. Joe Pesci is absolutely brilliant as his portrayal of Jake's brother, Joey LaMotta, and considering the fact that was one of his first feature films in the spotlight, he completely delivers a character who loves his brother unquestionably but who also has internal struggles regarding his own nature and his methods of dealing with his brother. I fell in love with Joe Pesci due to his performance here, and he is clearly one of the more talented and gifted actors within Hollywood.

Scorsese is also in top form, and you can feel his presence, his brilliance and his uncompromising dedication to showing you the real life and times of Jake LaMotta in every single piece of footage presented to you on the screen. Martin Scorsese illustrates the reason why he is considered by many to be cinema's greatest film director of all time as he takes you on a journey of Jake LaMotta's personal and public existence. Scorsese doesn't leave anything out, and his brilliance obviously lies within the fact that he can illustrate everything about a character in the simplest of scenes to make you empathise but simultaneously make you comprehend the various fundamental layers of such a despicable character in cinema history. And on top of that, he can make you like the character and hate the character at the exact same time - a brilliance unprecedented throughout Hollywood and surely testament to Scorsese's superiority to directors such as Steven Spielberg and Clint Eastwood who, despite having tremendous talent, cannot realistically present characters to the extent that Scorsese can.

Further supporting cast members, Cathy Moriarty and Frank Vincent deliver completely credible characters with Moriarty well deserving of her Oscar Nomination for her performance as Vickie. The editing was completely flawless and top notch throughout the entire feature with Scorsese's other partner - Thelma Schoonmaker - bringing Scorsese's incredible vision to life once more without a single complaint in the world. Brilliant cinematography ensured a visually compelling piece of work, exemplified further by an Oscar Nod towards this element of the picture also.

All in all, this is arguably the finest achievement from the Scorsese-DeNiro partnership, and it delivers everything that you would predict from our beloved Martin Scorsese. Love, deceit, hate, an underlying theme of violence, some of the best acting ever put on film as well as some of the most brutal and compelling sequences of boxing you'll ever see: all are shown with flamboyance and an honest brutality that we've come to accept as the trademark of Martin Scorsese in this poignant tale of one man's annihilation of self. And who is the only director who could realistically bring this to life? We all know the answer.

Well done, Mr Scorsese. Regardless of what the pretentious fools responsible for the decisions that the Academy makes, the people are fully aware of who the best director in town is.

"Raging Bull" is flawless and perfect. 10 out of 10, all the way.
Scorsese and De Niro at their best
Contains Spoiler!

Raging Bull is my favourite Scorsese films and one of favourite films generally. The film follows the story of Jake LaMotta, a famous middle-weight boxing in the 1940s. In my opinion I believe the film is about the destruction of a person's character and how misleading the American Dream can be. In the film you see LaMotta as a successful boxer, but also a violent and abusive character. He was abusive to his first wife and ended up starting a relationship with a 15-year-old girl, Vicky. He had a loving relationship with her and ends up getting married but as the film progressives you see they relationship disintegrate. You see the same happen between Jake and his brother Joey who was also Jake's manager. LaMotta does make it to the top, becoming the world-champion and becoming well-off. However, after his career was over he moved to Florida, owned a nightclub before getting arrested. After he was released he ended up being a has-been performer.

The direction by Scorsese is some of his best. He does some very good shots, the boxing scene are fantastic with the feeling that it was real. Filming the film in black and white also was an excellent move by the director. The performers were also top-draw. De Niro was perfect as Jake LaMotta, and he performed brilliantly with Joe Pesci and Cathy Moriarty. De Niro deserves to his Oscar for this film, and Pesci and Moriarty would have been up their. I also felt that this should have been the film Scorsese should have won his Oscar with.
Perhaps the Only One in the U.S. to put down this film
I may be alone on this but Martin Scorsese's Raging Bull does not deserve the praise it has garnered recently, best illustrated by its lauded praise for the recently released commemorative double DVD box set.

I hate to be the one to attack Scorsese who just directed the best film in a long, long time, in The Aviator and it pains me to write this scathing review. It is only I have not seen any critic criticize the film's plot holes, jarring dialogue or disparate scenes that do not gel into a coherent portrait.

The film is too redundant, and at times silly, as we watch De Niro's LaMotta transform into a heavy-set monster. It is mainly silly in LaMotta's cell late in the film, in which DeNiro (clearly given the green light by Scorsese to improvise) basically talks in gibberish as a way to pity LaMotta.

Take also for instance the strange editing from DeNiro in the ring against Sugar Ray Robinson, which is juxtaposed by making love to Cathy Moriarity's Vikki. I do not get the montage when DeNiro pours ice water on his genitals with shots in the ring. It is very confusing and also, unintentionally funny.

It is an authentic film for sure, taking much from 1950s boxing films, most notably Bogart's last film, The Harder They Fall.

I have not come across one critic who has put down this film, often cited as the "best film of the decade," and a "masterpiece." Scorsese has directed a lot of films befit for those descriptions, Casino and The Aviator stand out for me.

Yet, Raging Bull hardly is a masterpiece, and yet hardly anyone agrees with me. Maybe someone will… maybe in another twenty five years.
See Also
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