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Once Upon a Time in the West
USA, Italy, Spain
IMDB rating:
Sergio Leone
Henry Fonda as Frank
Claudia Cardinale as Jill McBain
Jason Robards as Cheyenne
Charles Bronson as Harmonica
Gabriele Ferzetti as Morton (railroad baron)
Woody Strode as Stony - Member of Frank's Gang
Jack Elam as Snaky - Member of Frank's Gang
Keenan Wynn as Sheriff (auctioneer)
Frank Wolff as Brett McBain
Storyline: Story of a young woman, Mrs. McBain, who moves from New Orleans to frontier Utah, on the very edge of the American West. She arrives to find her new husband and family slaughtered, but by whom? The prime suspect, coffee-lover Cheyenne, befriends her and offers to go after the real killer, assassin gang leader Frank, in her honor. He is accompanied by Harmonica, a man already on a quest to get even.
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Greatest Western Movie of All Time
The title of this would sum it all up! The main reason this is the best Western of all time is simply because of Henry Fonda. I'd place him in the top 10 of All-Time Greatest Movie Villains because of his role as Frank. I'm not a big fan of Charles Bronson but he does a pretty good job in this film as well. This is one Western movie (with the exception of Leone's other films) that has both great story, action, characters, scenery, etc... Even the minor characters in this movie do great in their respective parts. Also probably one of the best directed movies of all time as well. I would highly recommend this film to anyone who likes western movies.
this one's for you, Claudia
That peculiar feeling stayed with me after watching this movie - I was sure of it - I was in love!!

I was in love with Claudia Cardinale "the whore with a heart of gold".

The movie itself is excellent, but what gives just that little more, is, in my humble opinion, Claudia Cardinale's corrupt uncorruptable character. She is the quintessential westernwoman; the woman every man who would ever intentionally watch a western, didn't know it was possible to dream of.

Sometimes I may forget her for a day or two, but I have a picture of her on my refrigerator and she's been with me for 3-4 years now.

And such is the entire movie; as Nietzsche ended western metaphysics, Sergio Leone effectively ended the western genre.

9/10 for the movie - plus that 1 extra just for Claudia = 10/10
Once Upon A Time Is The Best
"My weapons might look simple to you, Mr. Morton, but they can still shoot holes big enough for our little problems."

Leone gets a budget that's proportional to his expertise, and now we want to complain about length. Shoot, the more the merrier, in my case. It could be speculated that Al Mulock would have postponed his unfortunate suicide for a chance to survive the first showdown. But at 164 minutes, this is hardly overkill.

"Get the costume! We need the costume!"

Dario Argento, one of my personal favorites, takes writing credit alongside the usual suspects; Bernardo Bertolucci and Sergio Leone. Call it the good, bad, and ugly of Italian screenwriters. Ennio Morriccone returns for the soundtrack, and once again composes a masterpiece. The cinematographer was the man who masterminded the spinning graveyard scene that enthralled us at the end of "The Good, The Bad, And The Ugly", so expect this one to up the ante. The actors, though, is where the credibility of Leone's previous work is really evident. Henry Fonda plays a villain named Frank, need I say more? Well, yes I need, because that tasty, zesty widow is quite easily one of my top picks for hottest women to lead a role in a film, Claudia Cardinale. So hot, in fact, that I have to admit I didn't know whether to cheer or cry for her during the softcore sex scene. I mean, for real, John Landis of all people has credits in the film. As a stunt double.

Well enough credit-talk, let's get to the plot. If money is indeed the root of all evil, it must have been intentional that for once, after the "Fistful Of Dollars" series, that the green bill doesn't enter much into the scene of the film. These guys are just plain bad. Most of the fighting goes on over an empty, unwanted plot of land. Prospects can be almost as important as respect, the story seems to tell us. No, really. We see money only a handful of times in the duration of the film. It's probably used most effectively here, when it's refused. But as the body count rises, and rises, and rises, it reminds us that where there is a serious power struggle, emotions fly just as often as bullets. Revenge, it must be, yet we don't ever truly know why.

So, if we accept that Frank is indeed one of the toughest sons of a gun in film making history, which he is, then it only leads to reason that lone gunners won't stand a chance. Enter Jason Robarbs, and the resulting factor of breaking typecast will bring a smile to your face. It sure better. Because the heroic Harmonica, played by Charles Bronson, couldn't play a harmonica to save his life. But who is going to deny a protagonist who doesn't stop smiling while being tied to a train and smacked around by an angry, angry man with a gun.

In another turn of events, Leone finally writes a piece where the ending will leave you reeling back when you see who the final profiteer is. Well I suppose that's the way these types of triangles work.

If you don't like westerns in general, don't expect that this will change your mind that much. It probably will, anyway, because the epic proportions of the storyline are undeniable. But as usual in Sergio Leone's films, you might have no idea why there are so many people getting shot until about midway through the film. Remember, this is an intelligent western from an intelligent man. It's his prerogative to create something sort of like a good Italian spaghetti bowl; lots of long strands, that when twisted around each other just right, make for a delicious bite.

"He not only plays. He can shoot too."

"Once Upon A Time In The West" (1968) 10/10
Epic story about a mysterious stranger with a harmonica and a notorious desperado to protect a beautiful widow from a ruthless assassin working for the railroad.
I watched this for a month ago, and as soon as the opening scene begun I was hooked. The mood, the silence and the wind blowing in the sunlight. I consider this as one of the greatest openings for any movie. It goes on for like ten minutes and when the train appear, you wish the scene could have been lasted a little bit longer.

Charles Bronson plays the main character, his performance is similar to Clint Eastwood in the Dollars trilogy. But he pulls it off pretty good, and through out the movie you get to know more about his past and why he's playing on the harmonica. You get to know a dark secret at the end, which makes the character fully developed. This right here makes the movie stronger then ''The Good The Bad and The Ugly''. Because in that movie you don't really get to know Clint Eastwood character, which makes him interesting. But you wish sometimes that you just could have get to known the character a little bit better.

But what is a western without an incredible soundtrack, well ''The Good The Bad and The Ugly'' is most known for Ennio Marricones fantastic soundtrack. But ''Once Upon A Time in The West'' is in my opinion better, it's so fantastic to listen to, that I can not even describe how amazing it is. You just got to listen.

Anyways, there is much more I love with this movie. But I don't wan't to ruin my hands writing every single detail I love. But I highly recommend this movie, even if your not a western fan it is worth watching.
Art meets the West
'C'era una volta il West' is not an easy film to watch. Its pace is hypnotic and the story unfolds in a way that blurs the viewer rather than provide exposition.

Saying that its not easy to watch, doesn't necessarily mean that the movie is not a great one. In fact OUATITW is probably the greatest art western ever made. I still believe that 'Unforgiven' is the greatest western story of all time, but this one is a joy to watch, for all its artistic endeavors.

The casting is genius. Especially Henry Fonda. It takes a genius to see that Henry Fonda could play the ultimate bad guy. Bronson's movie career was defined by this movie and Claudia Cardinale is absolutely stunning.

If you are a DVD enthusiast, the restoration of the movie will bring tears to your eyes. It's superb, better than 'Laurence of Arabia'. You can even see the pores in the actors' faces. Highly recommended.

irresistibly stylish
From the opening sequence of three non-verbal gunmen waiting for someone at a train station, grimly determined through the flies, dust, and leaky roof, to the inevitable quick-draw climax shot in extreme close-up with little or no dialogue, Once Upon a Time in the West astounds and entertains with its inventiveness, referencing of other westerns, and its judicious use of actors' reactions to tell the story.

The influence of this film on modern movies is unmistakable. In the sudden demise of pseudo-protagonists in A History of Violence, or the complete vision-and-sound opening 20 minutes of There Will Be Blood, we see the ripples of Leone's first American masterpiece. At the time of writing revisionist westerns like The Assassination of Jesse James by the Coward Robert Ford are having their day in the sun. But put a Colt 45 to my head and make me choose between these two great movies, and I'll take Bronson's revenge-driven cool over Pitt's sado-masochistic angst every time.

Leone is a master of timing and pace. There isn't a missed beat here, but the sequence that most impresses is Henry Fonda's saloon exit into a street populated with assassins. In one sequence we have rising tension, new questions for the audience about Harmonica's motivations, and evidence that Frank is a formidable antagonist when he cleanly and economically picks off three gunmen.

Often acclaimed for its visual storytelling, the dialogue in Once is spectacularly high-calibre. From the first punched beat about the number of horses, through to Fonda's throwing down the gauntlet to a waiting Bronson, the dialogue continually stays true to the characters while moving the story forward and telling us something new. And sometimes it's funny.

It could reasonably be argued that this is the best western ever made, and will no doubt be number one on many people's all-time best film list. In short, a timeless classic.
Charles Bronson and Sergio Leone Are Their Finest
Let me tell you what, this has to be one of the Greatest Charles Bronson/Sergio Leone movies in their career. I watched a lot of good Charles Bronson films like Death Wish and The Mechanic but this film is just the greatest. From Director Sergio Leone who did The Man with No Name films and Once Upon a Time in America and those were great films but this the best Sergio Leone western ever. Also Henry Fonda and Jason Robarbs were the perfect suit for the characters. Claudia Cardinale was Hot in that film, in all the western films I ever seen, I believe she is the most beautiful western characters out of all. Charles Bronson was 100% great in his role as Harmonica and the best character in the film. Sergio Leone did a very good job of directing the film like his other great western films and I honor Sergio as the best director in Western Films in Hollywood History. Let this film be remembered as one of the greatest western film in History.

I give this a 10/10.
One of the greatest western ever!
The so-called spaghetti Western achieved its apotheosis in Sergio Leone's magnificently mythic (and utterly outlandish) Once upon a Time in the West. After a series of international hits starring Clint Eastwood (from A Fistful of Dollars to The Good, The Bad, and The Ugly), Leone outdid himself with this spectacular, larger-than-life, horse-operatic epic about how the West was won. (And make no mistake: this is the wide, wide West, folks--so the widescreen/letter boxed version is strongly recommended.) The unholy trinity of Italian cinema--Leone, Bernardo Bertolucci, and Dario Argento--concocted the story about a woman (Claudia Cardinale) hanging onto her land in hopes that the transcontinental railroad would reach her before a steely-eyed, black-hearted killer (Fonda) does. (The film's advertising slogan was: "There were three men in her life. One to take her ... one to love her ... and one to kill her.") Meanwhile, Leone shoots his stars' faces as if they were expansive Western landscapes, and their towering bodies as if they were looming rock formations in John Ford's Monument Valley
A Potpourri of Vestiges Review: A piquant cocktail of style and substance in equal parts
Once Upon a Time in the West (OUTW) is a piquant cocktail of style and substance in equal parts, potent enough to catapult the viewer into a whirlpool of incessant excitement transcending him beyond the usual realms of an adrenaline rush. Vintage Leone, OUTW is inarguably the best Western ever made and undoubtedly features amongst the very best works of cinema, period. Leone incredibly surpasses the brilliance of The Good, the Bad and the Ugly (TGTBTU) with OUTW by blending his favorite theme of Greed with that of Revenge. The only thing that TGTBTU lacked was the presence of a strong female character and Leone more than makes up for it in OUTW. Its eccentric yet consummate plot revolves around a female protagonist, thereby revolutionizing the very tenets associated with the genre where machismo and chivalry had solely held sway, hitherto.

OUTW is a juxtaposition of the lives of five individuals, viz. Harmonica - a mysterious stranger, Cheyenne – a notorious desperado, Frank – a ruthless assassin, Jill – a beautiful widow with an obscure past, and Morton – a railroad baron, whose motives inevitably make them cross each other's paths albeit through an act of fate.

Henry Fonda is a revelation as the cold-blooded assassin, a portrayal that is remarkably contrasting to his usual 'good guy' on-screen image. He goes about his business with a sublime touch of feral grandeur that makes him equally chilling and fascinating as 'Frank'.

Charles Bronson plays his part with utmost conviction and incredibly manages to conjure up an element of mystery in his portrayal that not only brings 'Harmonica' to life, but also gives it a very distinct identity despite Harmonica's conspicuous similarities with Eastwood's 'Man with no name'.

The role of 'Cheyenne' is played with equal brilliance by Jason Robards. He has taken care of the various subtleties and nuances to such an extent that he perfectly fits into the shoes of notorious, yet likable, 'Cheyenne'.

Claudia Cardinale is ravishing as the beautiful, yet vulnerable, 'Jill McBain'. She has fully justified the trust shown by Leone in casting her and by Bertolucci in penning down a strong feminine part in a Western. She truly entrances the viewers with her mystifying pulchritude and enigmatic charm. She meticulously highlights the flaws in Jill's character while also managing to depict the elements of tenacity and grit which represent the true spirit of femininity.

Gabriele Ferzetti is quite effective in his cameo as the crippled railroad baron, 'Morton'. He suffers from the tuberculosis of bones and each passing day brings him closer to his end, thereby further intensifying his desperate urge to fulfill his far-fetched ambition of taking the railroad to the Atlantic. He truly represents a man worthy of achieving the impossible, unfortunately cut short by his haplessness. Despite the inhuman and unjust means adopted by him to fulfill his naked ambition, one finds it excruciatingly hard to derive pleasure from his perpetual plight and eventual doom.

Contrary to the popular belief, the slow pace of the movie and laconism in dialogue pose no impediment to the viewing and in fact this deliberate pacing enormously adds to the detail and beauty of the movie, and also helps in brewing the desired level of tension before it is finally punctuated suddenly with quick bursts of action.

Tonino Delli Colli's cinematography is vividly descriptive and has elements which have become his and Leone's trademarks like the extreme close-ups, the quick panning of the terrain, the rotating camera shots etc.

The haunting score written yet again by the master composer, Ennio Morricone enhances the grandeur of the movie tenfold. If Leone's direction and Colli's cinematography are the backbone of the movie, then undoubtedly Morricone's plaintive score is its heart and soul. The surreal score has shades of melancholy, intrigue, and romance that become more obvious with each passing moment. The music features leitmotifs (a melodic phrase that accompanies the reappearance of a character) that relate to each of the main characters (each with their own unique theme music). The soundtrack to the opening scene is a creative orchestration of ordinary sounds like that of the dripping water, the clicking of a telegraph, a buzzing fly, and the screech of a windmill after Morricone experienced a musical performance created by the medley of these sounds. This created an exaggerated version of what had come to be known as 'Spaghetti sound'.

OUTW is a magnum opus unparalleled in direction, screenplay, cinematography and music. With its slower pace and relatively somber theme (compared to Leon's previous works), Leone managed to transform his image of a satirical showman into that of an accomplished auteur capable of producing much profound works. OUTW also served as the harbinger for Leone's surrealistic masterpiece, 'Once Upon a Time in America'.

P.S: OUTW is an absorbing masterpiece; an absolute gem of a movie and a must watch for those who understand the true meaning of 'A Timeless Masterpiece', and are willing to indulge themselves completely through the whole length of the movie. 10/10
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