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Now You See Me
USA, France
Crime, Thriller, Mystery
IMDB rating:
Louis Leterrier
Morgan Freeman as Thaddeus Bradley
Mélanie Laurent as Alma Vargas
Stephanie Honore as Atlas Groupie
Jessica Lindsey as Hermia
Caitriona Balfe as Jasmine Trassler
Han Soto as Agent Painters
José Garcia as Etienne Forcier
James Rawlings as FBI Swat
Michael Kelly as Agent Fuller
Michael Caine as Arthur Tressler
Mark Ruffalo as Dylan Hobbs
Woody Harrelson as Merritt Osbourne
Common as Evans
Dave Franco as Jack
Jesse Eisenberg as Michael Atlas
Isla Fisher as Henley
Storyline: Four magicians each answer a mysterious summons to an obscure address with secrets inside. A year later, they are the Four Horsemen, big time stage illusionists who climax their sold out Las Vegas show with a bank apparently robbed for real. This puts agents Dylan Rhodes of the FBI and Alma Dray of Interpol on the case to find out how they did it. However, this mystery proves difficult to solve even with the insights of the professional illusion exposer, Thaddeus Bradley. What follows is a bizarre investigation where nothing is what it seems with illusions, dark secrets and hidden agendas galore as all involved are reminded of a great truth in this puzzle: the closer you look, the less you see.
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Why? No Reason.
It frankly doesn't surprise me that this film has received more positive than negative feedback; it gives an audience almost everything the trailers and cast lead them to believe they'll get. Plenty of twists, turns, face time with noteworthy actors and a story that doesn't force you to believe in magic in order to believe what's happening on screen. All that being said, there is a minority of viewers, myself included, who know they could have done much more with all the talent and potential lying within Now You See Me...or maybe they couldn't, and shouldn't have bothered to try.

I'm hesitant to say the movie is bad, because deep down it truly isn't. Everyone, from Woody Harrelson to Michael Caine and every name-drop in between does their job and fits in snug with what's going on. Somewhere between the intriguing first 20 minutes and the disappointing last hour or so, I kept asking myself, "why am I not enjoying this?" The answer? It could have been so much more.

Hasty references to the "why" of it all do nothing to satisfy the curiosity of the curious, and when the final credits rolled, I realized that this was the point all along. Even after the major reveal takes place and you finally understand the "how", the "why" never materializes. The introduction of the film makes that question the focal point, and the rest of the film does its best to make you forget you ever had the question in your head to begin with.

Again, I can understand the praise, but I felt as if left the theater having been cheated out of my money. Considering a couple of the main scenes in the film, perhaps this was the filmmakers' entire goal to begin with. It wouldn't surprise me in the least. Regardless, most people seemed to enjoy it, so there's no reason to bash it any further than by saying it simply wasn't what I wanted it to be. It happens sometimes.
Now You See Me (2013)
Now u see me is Brilliant movie to watch , The dialogue, Characters they are Excellent. Eisenberg plays the uptight J. Daniel Atlas pretty well, Mark Ruffalo was also brilliant in this film as well play his role perfectly. Dave Franco played a good part as well in this film and the rest of the Cast played Well.

Overall, this is an amazing movie, with awesome action, great actors and characters, a nice soundtrack and a brilliant script. Woody Harrelson had everyone in the room laughing.

There is nothing I love more than a great heist this dialogue, the closer you look, the less you'll actually see. A must watch movie :)
Skip it if you have a brain
I agree with the other negative reviews: good actors performing an incoherent script. The film is more of a collection of clichés than a story. One thing I haven't seen mentioned is how left-wing it is. We are supposed to cheer when Michael Caine's character gets screwed. The only reason I can see is because he is rich. Jesse Eisenberg on the other hand plays a smug guy you would like to smack upside the head. However, his heart is pure so it turns out good for him. Much of the story and the tricks are based upon screwing the "one percent." If you aren't a Wall Street occupier or are greater than 12 years old I recommend skipping it. Come to think of it, it's too violent for viewers 12 or less.
A bit of summer magic
"First rule of magic: always be the smartest person in the room." J. Daniel Atlas (Jesse Eisenberg)

In the case of the magical little entertainment called Now You See Me, you don't have to be the smartest person in the audience to be charmed by the illogical "magic" of the tricks or the script. In a takeoff of traditional heist films and homage to recent films like The Incredible Burt Wonderstone and The Prestige, with a smattering of smart, sometimes humorous chatter, this film moves at rapid pace (French director Louis Leterrier knows how from his Transporter films) with a lack of seriousness about the tricks, which are mostly explained as the film moves on.

Those revelations will bother purists who don't want to know the secrets or critics who demand a reasonable arc for the story. Like the magic itself, the film eventually captures the imagination enough to suspend disbelief and just go with the fun.

The "four horsemen" (Atlas, played by Eisenberg; Merritt by Woody Harrelson; Henley by Isla Fisher; and Jack by Dave Franco) create three successive magic shows, one in Las Vegas, a second in New Orleans, and the third in New York. The stakes rise incrementally as they appear to be playing Robin Hood to their large, American-Idol type audiences by showering them with money from their magical heists. The FBI with Agent Dylan (Mark Ruffalo) is in hot but bungling pursuit.

As in most thrillers, there are minor twists, and the final one that stretches credulity, or that some will see coming, along with a hopper full of smaller ones even naïve I could see from far off. Besides, like the Oceans films' heists, it's not about the heist or the magic. It's about the slick magicians, their easy banter, and comeuppance for the real baddies.

Outrageous set pieces like the car race will disconcert those looking for a tightly-told narrative. The magic is as always questionable because film deals in magic with practically every frame. However, the cast is delightfully comic, the direction speedy and tricky, and the entire film wants you in on the magic. For a summer film, that's a magic formula.
All bark no bite.
If you like strong and logical plots, you are likely to dislike this one. It's all about appearances and show in this one, rather than actually being brilliant, the characters and story just ask you take their brilliance for granted.

The story revolves around illusionists (implicitly portrayed as demigods I would say) and how they manage to fool everyone and get a little fooled themselves. Of course, with all this fooling around there are always chances that something might strike the funny bone, that is to say it has its humorous moments now and then but on the whole the illusions and tricks etc. is just more of a dazzle than something logical and realistic. There is not much depth to the characters and a lot of misdirection to make the climax more effective, but the misdirection only adds to the illogical nature of the plot and makes the story hollow.

Having criticized enough the good parts for me were the cocky-as-usual Jesse Eisenberg and some of the funny moments but nothing else. Even the dazzle of the magic tricks was made slow and plain by all the simple filler like dialogues. Final word; skip it unless you don't have a better choice for a movie in mind.
Probably the worst plot line ever made.

There's almost no plausible magic . The twists and turns don't even make logical sense.

Anyone who enjoys magic will be left frustrated and disappointed by this movie.

It's more aimed at younger generation who wouldn't question the reality of the movie. It's unfortunate they didn't spend more time refining the script as it could have been a really good movie.

The time shifting between now and then is also rather annoying. You'll feel cheated by poorly constructed explanations.
The greatest trick ever pulled is to make anyone believe this film has a coherent story.
I believe the target audience (and maybe even the writer) are all 14 year old boys who think magicians can do anything they want. I love a good sci-fi setting and I can accept some really fringe premises if the movie exploit them in a good way. This movie just relies on the audience swallowing everything and never questioning anything. If you start to pull any of the many loose ends it all falls apart faster than you can say bullshit.

I wanted to write this whitout spoilers, but the plot has given me a itch I can not scratch.

First, they stole 140 million by knowing the guys first pets name!?? Do they suggest the bank secure their assets with a simple password recovery scheme like that? I don't begin to understand. Are they seriuous? Why didn't they just say they hypnoticed him into withdrawing the money. Even thow that is not possible it is far more believable. This is maybe the most unbeliveble way to explain a heist I ever heard of.

There is not a singel interesting or plausible event in the whole film. Everything is just random. The fbi guy, did he base his whole career on this single moment? That is determenation and planning out of this world. But, I guess its a whole lot easier to say its just distraction and magic that did it all.

I would say that convincing people to pay for this crap is a far greater con than any of the ones presented in the movie.

I have seen allot of bad movies but they all have something if find interesting or good in them. Except this one. I cant find any thing positive to say. Stay clear.
This movie is magical
This has become one of my all time favorite movies. From the very beginning, I was on the edge of my seat! The concept is so unique that going into the movie I had extremely high expectations, so naturally I was expecting to be a little disappointed.... BUT I WAS PROVED WRONG!!!!!!! The whole movie was fantastic, especially the end! I looked too closely and never saw what was right in front of me. I gasped when everything comes to light in the end. Everyone in this movie was fantastic and I will love and cherish this movie forever!!! I don't understand all the negative reviews! This movie is downright fantastic.
The real trick was making so many great actors so terrible.
I'm just after leaving an advance showing of Now You See Me and I think it was horrendously bad. Just awful, truly terrible in so many areas, some being:

Dialogue- This reeked of laziness. Morgan Freeman and Michael Caine's dialogue especially. It was wooden, inauthentic and the sort of dialogue that was so obvious that a child could figure it out from the context in the film. If they needed to say have the dialogue that was being said in this film, weeeeeellll, you're doing it wrong. Subtext anyone?

Characterisation- Again, really lazy. Every single character in the film was one dimensional with not even a HINT of a human variability or individuality. If some is a 'baddie', all he does is bad things. The 'romantic interest' runs around after our protagonist lovingly. The Four Horsemen magicians also I couldn't have cared less for. Worse still, I didn't care about a single thing any of them did.

Plot- I thought about this on the way to my car after leaving. Few major flaws. One, there was no tension at all for pretty much all of the film. You had the Four Horsemen magicians running about like Robin Hood and you were kinda rooting for them somewhat. Then, two, you had Ruffalo and the French lady running around trying to catch them, who you were also kind of behind too. There was only one real 'baddie' in Michael Caine but he was a cursory villain and not the main event really. Ruffalo's 'revenge' against the safe maker whose faulty safe killed his father was pulled out of nowhere. Even at the end there was no alteration in the states of our characters. The good guys stayed good just like they'd been at the start (why did I watch this film again?).

Cinematography- This wasn't as bad the elements above but there was definitely a spot when Ruffalo was in New Orleans standing street level among cars when I probably physically squinted and thought 'sweet lord, what is this film trying to do to me?'.

Overall, I'd say avoid this film. Weak writing, weak performances from great actors (who i don't blame), pointless plot. Worst film I've seen in a while. Sorry :(
Promising idea sunk in key areas
"Now You See Me" came out of nowhere and became the sleeper hit of 2013, getting good word of mouth during its theatrical run. Having seen the movie for myself, I am kind of puzzled by its popularity. Certainly, the movie is far from the worst movies I have ever seen - it's colorful, and doesn't have a dead spot despite running almost two hours long.

But there were some things about the movie that annoyed me enough to prevent me from liking it. The biggest problem is with the characters. Except for Freeman's character, there is not one likable character in the movie. The law enforcement agents investigating the magicians are loud and obnoxious, and the four magicians come across as extremely smug. (Also, there is no attempt to give the magicians real and separate personalities - they all act alike.)

The characters were the main reason why I didn't like this movie, but there were other problems as well. One other major annoyance is the depiction of the magic acts. They have been jazzed up with CGI and other special effects so they don't feel like REAL magic acts - they come across as artificial. Also, as the movie progresses, the various feats the magicians pull off slowly become more unbelievable (and not fully explained) that eventually I wanted to cry out loud, "Oh, COME ON!" Less slight of hand and a more realistic approach would have been a much better approach.

(Note to Michael Caine fans: His role is really just an extended cameo appearance.)
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