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Le fabuleux destin d'Amélie Poulain
Year:
2001
Country:
Germany, France
Genre:
Fantasy, Romance, Comedy
IMDB rating:
8.5
Director:
Jean-Pierre Jeunet
Audrey Tautou as Amélie Poulain
Mathieu Kassovitz as Nino Quincampoix
Rufus as Raphaël Poulain
Lorella Cravotta as Amandine Poulain
Serge Merlin as Raymond Dufayel
Jamel Debbouze as Lucien
Claire Maurier as Madame Suzanne - la patronne du café
Isabelle Nanty as Georgette
Dominique Pinon as Joseph
Artus de Penguern as Hipolito
Yolande Moreau as Madeleine Wallace
Urbain Cancelier as Collignon
Maurice Bénichou as Dominique Bretodeau
Storyline: Amélie is a story about a girl named Amélie whose childhood was suppressed by her Father's mistaken concerns of a heart defect. With these concerns Amélie gets hardly any real life contact with other people. This leads Amélie to resort to her own fantastical world and dreams of love and beauty. She later on becomes a young woman and moves to the central part of Paris as a waitress. After finding a lost treasure belonging to the former occupant of her apartment, she decides to return it to him. After seeing his reaction and his new found perspective - she decides to devote her life to the people around her. Such as, her father who is obsessed with his garden-gnome, a failed writer, a hypochondriac, a man who stalks his ex girlfriends, the "ghost", a suppressed young soul, the love of her life and a man whose bones are as brittle as glass. But after consuming herself with these escapades - she finds out that she is disregarding her own life and damaging her quest for love. Amélie then ...
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Reviews
dreamy and wonderful
This is one of my favorite movies of all time. It is romantic an absolute non-icky way, it shows a humans kindness in whole new lighting and Nino and Amelie share this delicate, tender, gentle love without many words said. Jean-Pierre made this film colorful like only few other people did or could do. Paris looks absolute dreamy and it makes you wish you were born in Paris, in Montmartre, with french as your mother tongue. It makes you wanna do something beautiful with your life, to yourself and to others, of course. It makes you brave, although you think of yourself to be the worst coward ever to live on this planet. Acting is perfect and I still can't get over the fact it didn't win an Oscar for best foreign film. Music goes along with the movie just great, it just right, it sets the perfect mood for the viewer. I really recommend this movie to everyone because I can guarantee you won't be disappointed!!!
2005-01-19
This Movie can CHANGE your life :-)
A year ago, if someone would have asked me "What is your favorite movie ?" , I would not have known what to answer exactly, maybe Fight Club, maybe Vertigo, Indiana Jones even would have come to my mind.

Since June, I have but one answer: 'Le fabuleux destin d'Amélie Poulain' !!! It is simply unique in his kind. And now it has come out in the US, I am a bit frightened, because everybody there describes it as a simple 'feel-good movie'. It is so much more than that ! Never before has a movie INFLUENCED my life in such a way. Audrey's performance is simply stunning... she plays with an innocence, a wit, a smartness and naïvity that even someone with 40 years experience could not have done better. (please, will someone give an oscar to that girl, she makes Kidman & Blanchett look pale :-) The score from Yann Tiersen is so beautiful that by now I'm addicted to it ( I read here somewhere something about 'accordeon jingle', please, get some education ;-). The story itself could easily have been abused, and I'm sure that if Hollywood had made this movie, it would have been ridiculous, but now it is a beauty, a pearl amidst broken hearts.

This movie is for everyone who understands passion or who has lost his/her childhood somewhere along the way. If you love art & music, sunshine & poetry than you are qualified for seeing this movie, be warned though...this movie can change your life (and maybe..it will ;-)!

Audrey is superb, Matthieu is better than himself, every actor gives a stunning performance, the scenery is beautiful, the whole movie is amusing, entertaining and charming, even CGI is perfectly done ! 10 out of 10 !!!

a 21-year-old Amélie fan who can enjoy the little things in life again
2001-12-24
Wordly cynicism be damned
Many, many people reflect on this film and find it fluffy, cartoonish, and wildly unrealistic. While the fact that this is mainly an emotional film (as all good films are) necessitates a certain degree of hyperbole, I disagree that it is all that unrealistic and charge that Amelie's detractors are those who are unrealistic. The simple, undeniable truth of this film IS the only simple, undeniable truth: that of human emotion. Amelie is a person unable to separate how she feels about the world from how she interacts with it. This translates into behavior which is often brave, sometimes crazy, and always lovable. In this sense, then, Amelie is not a superhuman or a saint (for she is also painfully aware of her shortcomings and petty vanities), but a person who has the courage to actually be herself and let her emotions, no matter how fanciful or "unrealistic" they may be, shape her world and the world of the others around her. Simply put, every single person could be Amelie if he or she wanted to, except for our cynical and bitter insistence that people like Amelie don't exist.

The main conflict, of course, comes when Amelie falters and cannot allow herself to follow through in this fashion in pursuing her own true love. Truly, if ever the dangers of worldly cynicism (or "realism" as we are fond of calling it these days) have been shown more accurately in a film, I would love to see that film.

So, if the above description appeals to you, you will love the film. If it doesn't, then you need to see it even more- the message is there not for the romantics who believed in this stuff all along, but for the cynics who maintain against all evidence to the contrary that the world is a rational place.
2002-01-06
Psychologically insightful


This movie is stylish beyond belief. But what strikes me most is the way it manages to capture the reality of human emotions, how internal monologues are played out in the form of TV programs, how dreams are simulated by the magical movements of inanimate objects and talking photographs! It is a charismatic portrayal of inner existence and the most natural desire to pursue happiness, both in our life and that of others.
2001-12-28
Not a fan
It is very possible that I don't have the intellect or the ability to appreciate cinematic masterpieces. However, free speech enables me to voice my less than enthuasitic endorsement of Jeunet's "Amelie".

Jenuet's "Amelie" is one of those feel-good movies that makes people dream into believing anything is possible. Its very "nice" and a commendable deed indeed; however, Jenuet fails to deliver ... I would have much appreciated subtelty in depicting the everyday Parisians ... not an aggressive, preachy, in your face romanticism that seems to lack genuine warmth.

I was not a huge fan of Jeunet's style - his love for hurried camerawork, frequent character zoomins and other visual imagery (the key in her pocket when she makes a duplicate) was distracting and served to just underline the lack of genuine warmth.

The saving grace of the movie is the obviously talented Audrey Tautou who plays the role of the outsider to the T. Her understanding of the role prevents the movie from becoming another fuzzy role of a girl we root for as she changes the world.

I am not a cynic - but I did get bored with the method employed by Jeunet. After a while, the movie just kept on dragging. Tautou does a good job; and, I did like the colours used in each frame which gave the movie more life than it really had.

2003-05-12
A nice little film
Rating: ***1/2 out of ****

What a fun film! From the moment it begins, "Amelie" bursts with joy and energy. It's a fable of sorts, a love letter to a Paris fondly dreamt of by many. It may not be the real world, but it is such a delightful fantasy that it doesn't matter how unbelievable some of it may be. "Amelie" is the rare romantic comedy that has both the romance and the comedy. It isn't very surprising that this has been a hit in France for a while now, and I have no doubt it will find the audience it needs in the States as well.

Amelie Poulain (Audrey Tautou) is a nave girl working at the Two Windmills Caf. When she was a child her mother and teacher was an innocent victim of a suicide gone awry. Amelie stayed with her father until she was old enough to leave and lead a life of her own. One day she finds a small box of treasures behind a tile in her wall, she decides to return it to her owner and become a natural do-gooder. Later on, she catches a man groping for lost photos under a photo booth (Nino Quincampoix, played by Mathieu Kassovitz), and it's love at first sight. She decides to go on a quest to find this man and help anyone she can along the way (including her father and co-workers).

I said before that this film was a love letter to Paris, it is also a love letter to Amelie herself. Jean-Pierre Jeunet (director and co-screenwriter) conjured the film like a dream, as if Amelie is his dream girl and he is trying to save her and bring her to a happy ending. It's not hard to want everything to work out for her and her friends. Amelie Poulain is the kind of person who you wish was your best friend, your neighbor or your sister. She bounces along with good grace and whimsy living life to its fullest, yet keeping a mischievous grin. She has her own idea of justice that isn't very disagreeable. The tormentors must in turn be tormented; the lifeless must be brought to life. The film is like a non-musical "Bells Are Ringing", with our heroine bringing so much life to those around her but neglecting her wants and needs.

After seeing Audrey Tautou as Amelie, I can't possibly imagine anyone else in that role. She embodies Amelie like no one else could, she is a rare find that pulls off the job of breathing life into Amelie in spades. Wait, I take that back. She does not just breathe life into Amelie, Tautou makes her jump off the screen and pull the audience into the story. It would be a crime for her not to get a Best Actress nomination for her role.

Magical is the world that Amelie lives in, where photos and lamps come alive to aid her quest, where TV shows are showing nothing but her story. The story this setting surrounds is pretty standard, and presented plainly could have just been another machine-processed romantic comedy. Is it too sappy? No. On the contrary, the film takes quite a few steps to make sure it doesn't become tacky or conventional. The rich, storybook setting and a witty screenplay (asides are taken to deepen our connection each character, little things that each likes and dislikes) make the film all the more a delight to watch. The cinematography, crafted by Bruno Delbonnel, does wonders for "Amelie". The camera captures the action with an eye of a child in a candy store, beautifully bringing about each shot as a new discovery.

With films like "The Widow of Saint-Pierre", "With a Friend Like Harry" and box-office hit "Brotherhood of the Wold", French cinema has had quite a year. It's a delight that we round off the year with "Amelie", a fresh, funny journey that could have easily just been more Meg Ryan-esque romantic comedy fodder. If not for anything else, see it for Tautou's performance, but prepare to be smothered in a dream world.
2002-01-11
Merde du Merde, not Crême de la CRËME !
So I am not French, don't judge the summary above. But to make it short, this is the worst movie I have ever watched, no exaggeration, but sincere judgment. It's terribly awful, so much that I want my 2 hours back !

Now let's make it clear, I have never rated a movie (1 star, or under 6 stars) like this one ever before, actually I am easy-pleased by things, movies, and stuff, but this one went too far beyond Sh*t.

I watched this with my friend, neither me nor him had enjoyed it so far, it was so awkward and unfunny, the narrator was so annoying. Giving every character a special persona ? That didn't work out, it was so shitty, it made a lot of jokes about sex and stuff, and that didn't work out as well. The main character was lovely during the first 4 minutes but the plot ruined her for good.

I wished the movie had ended so soon, I felt like I am torturing my friend along with his time. If this was horribly rated I'd not blame myself... But...18th... seriously ?!

This howsoever has no point at all, you finish watching it then you be like :"What have I just watched? What's the point?" the only winner of the movie is Amélie who hung out with a porn-shop guy, seriously...

Charlie Chaplin would have murdered himself if he had heard the lame jokes in this movie. They don't even fit a kid's sense of humour, let alone this movie is rated for Mature people.

It doesn't deserve a 10, a 9, but a negative rating. Mince ! I know I am 15 years late, but a legendary movie never dies. This one lasted so long not enough, it shouldn't have.

Let us all pray to God that we don't witness another Merde, Amen.
2016-12-19
EXCELLENT!
Are you a romantic? Do you notice the little things around you in life? This movie will show you that there are more people in the world like you and me.

I urge you to see this film. Five reasons: the story!!! the special "filters coloring" the details the actors the unusual crooks in the road of the film

Fall in love with Amelie, I have!

2002-09-08
Amelie innocently skips stones in the canal and you realize that this deserves all the hype
Waiting for `Amelie' to begin in a theater fraught with noisy college students drinking cheap beer, I wasn't expecting anything more than an over-hyped flick from our friends in France. I slowly began to realize as I watched Amelie skip stones in the canal that for the very first time, a film deserved all of hype it had been accorded and more, and I felt so blessed to be a part of this revelation.

Possible Spoilers

It's hard to put into words how much I loved `Amelie.' I felt as though I were sitting next to Monet, watching as he effortlessly splashed brilliant watercolors across his canvas. I had this strange but fantastic feeling of being inside the mind of Amelie, seeing everything in the vibrant colors she viewed life with, and wanting to remain there much longer than the two hours allotted. It was just so refreshing to watch a movie where your imagination was free to soar rather than feel confused by the apparent deja vu from last year's first installment of the same pointless drivel.

I almost always loathe films with subtitles as I feel that they get in the way of viewing the characters actions and facial expressions. `Amelie' is the first film where I adored the subtitles and in fact, had a nagging urge to go out and learn French that is still with me today. Much of this can be attributed to the delightful Audrey Tatou. Her expressive eyes and sweet caring nature provided the viewer with fond memories of Audrey Hepburn and prevented me from being distracted by the subtitles. Could a 23 year old actress with little experience be just as fantastic as Meryl Streep and Katharine Hepburn? I really wasn't expecting it but Audrey Tatou revitalized my interest in film and left me wondering why her name didn't appear on Academy ballots and what possessed the Academy to favor `No Man's Land.'

An already perfect film couldn't get much better but along with the lovingly created cinematography and delight of rising star Tatou came the wonderful story of a true do-gooder. `Amelie' is a film that begs you to get happy and should give some short-term contentment to even the most depressed of individuals. Little moments like the tragically funny early years of Amelie are very special and the best I've seen on the silver screen. The scene where Amelie is skipping stones in the canal should be studied for years to come as the greatest technical moment in cinema.

Movies like this one don't come around very often. Perhaps the creators of films that pander to dumbed-down audiences who apparently can't tell that their watching last year's film should take the hint. The movie-going public wants to be inspired and wants to be provided with the same imagination they have when reading a great novel. This is why `Amelie' remains #18 on the list of best films.

10/10
2003-02-18
Romance is alive...
... but this film could easily be regarded as the category killer of the romantic comedy genre. There are very few ways that anyone could make a better "boy meets girl" film than "Amelie". It makes the endless succession of Hollywood romantic comedies look dull and ordinary by comparison.

But what a curious pedigree! The director, Jean-Pierre Jeunet, gave us bizarre nightmares and post-apocalyptic alienation in "Delicatessen" and "City of Lost Children", although it must be said that both of those films include beautiful romantic moments. "Amelie" retains some of the surreal elements of the two earlier films, but there is a lightness of spirit about Amelie that sets it apart and makes it something truly special.

Audrey Tautou gives a magnificent performance as the quirky, clever, but intensely shy Amelie. We believe that we truly understand her as she secretly makes changes in the lives of those around her, playing matchmaker for some, bringing unlooked-for happiness, punishing the wicked with impish glee, but when it comes to her own pleasure and happiness, we see her torment and feel her pain as she is unable to make that crucial final step. How the Academy failed to recognise the quality of this performance with a Best Actress nomination is frankly incomprehensible. I note BAFTA among others got it right.

There is much more to like about this film. The ensemble supporting cast, music, cinematography, the curious use of colour (Jeunet films are alike in this respect, the look like no-one else's), the narration - just enough of it without being intrusive. I have very few criticisms. The subtitling can be a challenge to read at times and I thought at least one translation could have been better. This is hardly a fault with the original film, however, just the barrier of language. Finally, a small reprimand to Jeunet for reprising the classic bonking scene from "Delicatessen". It just wasn't as funny the second time around. Otherwise, great film, see it. If you don't like it, you have no soul.
2002-02-13
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