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Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Year:
1964
Country:
UK
Genre:
Drama, Thriller, Comedy
IMDB rating:
8.5
Director:
Stanley Kubrick
Peter Sellers as Group Captain Lionel Mandrake
George C. Scott as General 'Buck' Turgidson
Sterling Hayden as Brigadier General Jack Ripper
Keenan Wynn as Colonel 'Bat' Guano
Slim Pickens as Major 'King' Kong
Peter Bull as Russian Ambassador Alexi de Sadesky
James Earl Jones as Lieutenant Lothar Zogg
Tracy Reed as Miss Scott
Jack Creley as Mr. Staines
Frank Berry as Lieutenant Dietrich
Robert O'Neil as Admiral Randolph
Glenn Beck as Lieutenant Kivel (as Glen Beck)
Roy Stephens as Frank
Shane Rimmer as Captain 'Ace' Owens
Hal Galili as Burpelson AFB Defense Team Member
Jack Creley as Mr. Staines
Storyline: Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, he believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper's executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr...
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Reviews
Russians In The War Room
Spectacular and chilling to watch Dr. Strangelove in May 16, 2017. I'm not going to talk about prophecy not even coincidence. Art has a way to warn, express or simply entertain in a way that its relevance will always be renewed. That opening with George C Scott's secretary, in her underwear, answering the phone for her boss in the most professional tone imaginable, is a masterful way to introduce us to the normal absurdity we're about to embark on. Terry Southern's extraordinary script (sharing credit with Peter George and Stanley Kubrick himself) is a masterpiece of intention and execution. The film doesn't have a moment of emptiness nor a single cheap shot. Everything works with the irrational logic of tradition and set standards. How can something so serious and ultimately terrifying can be so funny. I think that's the definition of film art. I don't want to sound pompous but that's exactly how I feel. I've seen a 1966 movie by Stanley Kubrick in 2017 that's better, more relevant, ingenious and even revolutionary than anything we've seen in a long, long time. Peter Sellers, fantastic three times over (and he was also going to play the Slim Pickens part) George C Scott in one of the greatest comic performances ever put on film and Sterling Hayden in a frighteningly credible show of abuse of power, complete the pleasures of this remarkable film.
2017-05-17
Subtle and Symbolic
Entertainment Weekly called this one of the funniest 100 movies ever made. It also happens to be one of the most disturbing movies made. The humor is right there in your face, however, there is always an underlining political critique under every character, every line, and every government representation. Slim Pickins is the never quit Airman. He is a representative of our entire military system of the time. The president, played beautifully by Peter Sellers, is a demure, calm presence trying to deal with the Russian premiere. His perfect counterpart is a war hungry General, ready to accuse the Russians of any small infraction. This leads to one of the funniest lines in the whole movie. Sellers also plays a British airman who has to deal with the crazed general in the usual polite British manner. Seller's third role is that of the title character, Dr. Strangelove, a former nazi and weapons designer for the Americans. He represents the scientific community of that time period; those who worked tirelessly to build a better bomb. These characters, all of them strongly parodying a cross section of society make for an odd story. The final scene, while played for laughs, is actually a frightening image of a communist future. The final moments are frightening in their truth leading one to put themselves in a position of the characters. Dr. Strangelove is the funniest disturbing film I've ever seen.
2003-02-11
Kubrick Becomes a Master
Stanley Kubrick directed the greatest dark comedy of the 20th century. Amidst the height of the Cold War and the assassination of American President John Kennedy only months before, Dr. Strangelove is an exaggerated view of the Cold War to see how ridiculous it could really be. America and the Soviet Union were really going to use all those nuclear weapons on each other?! That would destroy the whole world in one day! That's the point Kubrick wants to make. Kubrick always at the dark side of humans throughout his films. The cynic, satirical, and heartless humans that are always depicted in his movies. Even if they don't start like that (The Shining, Full Metal Jacket), the characters already have the potential to go berserk. That happens in Dr. Strangelove, which is a comedy. It doesn't matter what genre Kubrick covered, may it be drama, war, science fiction,or crime movies, Kubrick always got his message across. Who would believe he would create another masterpiece four years later in 2001:A Space Odyssey?!
2002-03-21
Possibly the best film ever?
Well, I suppose that would be a matter of opinion. But this is one my all time favourites. There is just nothing wrong with this film. I can't think of one moment in this when I am not laughing out loud, no matter how many times I have watched it.

This is probably Kubrick's most focused film. His other efforts are generally mixes of whatever good idea comes to him next. This still has his wildly fluctuating style but this never strays from its major focus point... Peter Sellers. When working on Lolita, Kubrick had grown fond of Sellers and loved to watch him perform. This is very apparent here as most of the film consists of hilarious monologues for Sellers's three characters. Sellers doesn't disappoint either. He brings to the screen a wonderfully restrained performance for these three characters, which makes it even funnier when he dives into a physical act of hilarity. He even gets all the best lines such as "Gentlemen, you can't fight in here! This is the War room!"; "I'm sorry, Jack. The string has gone in my legs" etc. He even manages to make his three characters so physically different from each other that it's hard to believe that they're the same person; he seems to change the shape of his face and even the way they hold a phone (As Muffley he comfortably rests the phone in his hand but as Mandrake he clings onto the receiver nervously with both hands, ready to hide the mouth-piece). Sadly he didn't win the oscar he was nominated for.

The laughs don't just end with Sellers though. The script - written by Kubrick, Terry Southern and Peter George (author of source novel "Red Alert") - never lets us rest, chances are we will be laughing so much at a great line that we won't hear the next one. Also, Kubrick frames each shot to unmatched perfection, comedy has never looked this good. Everything, right down to the whimsical special effects are perfect.

The supporting cast are brilliant too. Slim Pickens (If that is his real name) was never told that he was starring in a comedy. Kubrick wanted him to believe that it was a drama as he thought it would make his performance funnier. He was right. George C. Scott battles with Sellers for the best lines in the War room scenes whilst Sterlyn Hayden battles for the best monologues in Ripper's office.

The film was originally set for release in 1963 with an ending that burst into a custard-pie fight in the War room and the president being knocked down by a pie. Due to the Kennedy assassination this was removed and the film was released in 1964. Ironic, considering this was released right in the middle of the cold war.

So watch and enjoy.
2002-04-09
"WE MUST NOT ALLOW A MINE SHAFT GAP!!!"
Pitch black comedy that finds humor in the unimaginable, due to its outstanding direction, great performances and tight, witty script. This is director Stanley Kubrick, at his best. The use of tight angles, eerie B&W photography and great pacing are key assets. The menacing aspect of such a situation, treated with such over the top style by Kubrick, will solidify this film as "one to watch" for generations to come.

The performances are super, with Scott and Sellers leading the way. The script is a stellar piece of brilliance by Kubrick, Terry Southern and Peter George (who wrote the original novel). The balance of subtlety and mind-zinging absurdity empowers a raw, distinctive genius to the screenplay.

Those who don't pay much attention to the dialogue, will be crinkling their noses and mumbling, "What's so funny?" The intensity of this farce lies as much with the spoken word, as it does the physical. The humor pokes fun at bureaucracy, blind patriotic zeal, hypocrisy and human nature.

DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB was courageous, landmark film making for it's time. The USAF was going to cooperate with the making, until the brass read the script. It was simply too much for sterile defense department types, which alone should let you know, it's a great movie. A definite classic, worth ringing up the boss to call in sick for.

Highly recommended.
2002-06-19
One of the greatest movies ever made!
Ranked as one of the American Film Institute's Top 100 movies of all time, Dr. Strangelove remains a classic even today in the post cold war atmosphere. In my opinion, this is Kurbick's greatest movie that he made (and that's a difficult selection). The humor is still applicable even today and no matter which way you cut it, you'll find Peter Sellers at his very best in no less than three roles. George C. Scott is great as well.

We must do our best to preserve our precious bodily fluids...
2002-03-28
Zany and thought-provoking at the same time
I have seen this film on a number of occasions and have always found it entertaining. The unprovoked, paranoid actions of the commander who issues plan "R", and Kong's comments on the supply kit, are two of the most zany bits. I also like the rule about not fighting in the war room, a room which didn't exist, but Ronald Reagan asked where it was when he became President.

James Earl Jones, also seen in another similar film "By Dawn's Early Light", puts in an excellent performance. The multiple characters played by Peter Sellers, especially Strangelove himself, are also excellent.
2002-03-17
BEST MOVIE EVER!
Stanley Kubrick is a God at writing/directing movies, and this one is a great example. Peter Sellers is one of the greatest actors ever! It is hard to play three characters that are very straight, when you are typecast as a "goofy" character (which he almost always was). If you have never seen this movie, see it. Then, once you see it, see it again. Then see it again... And once you have seen it at least once, you must remember to take care of the precious bodily fluids.
2002-08-15
Surprise, surprise!
The first Kubrick movie I saw was 2001 and it made me think of him as a director obsessing so much about what he thought was innovative filmmaking that he would readily forget about all sense of dramatic timing, humor and decent storytelling. I thought I'd never bother watching any of his other movies, well.. until I ran into this one. If you're into movies like Brazil or Mars Attacks, you will recognize quite a few of the patterns and techniques employed there, only that this one here is decades older. A must see for those who appreciate intelligent entertainment!
2002-06-10
Still a riot
George Scott's best role and performance of all time. Scott, Sterling Hayden, and Slim Pickens made this movie work. After Strangelove, Scott took himself too seriously.

When I first saw Strangelove in 1963, my friend and I were alone at the matinee in a very large theater in the midwest. We howled unabashadly throughout. The next time I saw it was at a 1985 peace conference in Honolulu - the movie was evidently selected by someone who had never seen it (or a prankster who had). I started laughing from the start and all the peaceniks looked down their noses at me as blasphemous. Within twenty minutes they were howling too.

This is a masterpiece of exaggeration. Don't bother with trying to make deeper meaning out of it. It is pro- and anti- everything. The names tell you that it is meant to be high comedy from the beginning - "Burpelson", "Turgidson", "Kong", "Kissoff", "Bat Guano", and "Strangelove".

See it. Again and again.
2003-02-14
See Also
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